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Chapter of: The Pandemic Visual Regime: Visuality and Performativity in the Covid-19 Crisis(pp. 259–263)

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Metadata
TitleBackmatter
ContributorJulia Ramírez-Blanco(editor)
Francesco Spampinato(editor)
DOIhttps://doi.org/10.53288/0448.1.11
Landing pagehttps://punctumbooks.com/titles/the-pandemic-visual-regime-visuality-and-performativity-in-the-covid-19-crisis/
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
Publisherpunctum books
Published on2023-11-09
Page rangepp. 259–263
Print length5 pages
Contributors

Julia Ramírez-Blanco

(editor)
Ramón y Cajal Researcher at Universidad Complutense de Madrid
https://orcid.org/0000-0001-5068-4613

Julia Ramírez-Blanco is a Ramón y Cajal Researcher at Complutense University, Madrid. Her work connects art history, utopian studies, and activism. She is author of Artistic Utopias of Revolt (Palgrave, 2018); 15M: El tiempo de las plazas (Alianza, 2021); Amigos, disfraces y comunas (Cátedra, 2022); La ciudad del Sol: Le mouvement 15M entre formes et performances (Éditions Lorelei, 2023). Member of the Research Collective of the C4AA, she also has co-led the research and exhibition project Grande Révolution Domèstique-Guise on feminist utopias. She has amply collaborated with the Museum of Contemporary Art of Barcelona (MACBA) and has curated the 15M materials for the recent reorganization of the permanent collection of the Reina Sofia Museum in Madrid. In Reina Sofía, she is part of the core group of “Tejidos Conjuntivos,” the Museum’s Study Programme in Critical Museology, Artistic Research Practices, and Cultural Studies.

Francesco Spampinato

(editor)
associate professor in the Department of the Arts at Università di Bologna
https://orcid.org/0000-0002-8098-2838

Francesco Spampinato is an associate professor in the Department of the Arts at the University of Bologna. His research in the fields of contemporary art history and visual studies is focused on the relationships between contemporary art, media, and technology, with particular attention to topics such as postmodernism, collective practices, media experimentations, and the effect of personal computers and the internet on visual culture. His latest publications include Art vs. TV: A Brief History of Contemporary Artists’ Responses to Television (Bloomsbury Academic, 2022); the edited monographs GMM—Giovanotti Mondani Meccanici: Computer Comics 1984–1987 (NERO, 2021), and Ran Slavin: Shapeshifter (Mousse Publishing, 2022); and monographic essays for either academic journals or exhibition catalogues on Public Movement (PAJ, 2018), Lizzie Fitch and Ryan Trecartin (Fondazione Prada, 2019), USCO (Visual Culture Studies, 2020), Studio Alchimia (Palinsesti, 2021), Susan Kare (Imago, 2022), and Kraftwerk (NeoClassica, 2023).