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25. Moving Mountains: Harriet Hosmer’s Nineteenth-Century Italian Migration to Become the First Professional Woman Sculptor

  • Patricia Cronin (author)
Chapter of: Women and Migration: Responses in Art and History(pp. 283–298)

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Title25. Moving Mountains: Harriet Hosmer’s Nineteenth-Century Italian Migration to Become the First Professional Woman Sculptor
ContributorPatricia Cronin (author)
DOIhttps://doi.org/10.11647/OBP.0153.25
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0153/chapters/10.11647/obp.0153.25
Licensehttp://creativecommons.org/licenses/by/4.0
CopyrightPatricia Cronin
PublisherOpen Book Publishers
Published on2019-03-08
Long abstractPatricia Cronin’s essay ‘Moving Mountains: Harriet Hosmer’s Nineteenth-Century Italian Migration to Become the First Professional Woman Sculptor’ is a pioneering work that combines hand-painted images with art historical research to reveal the complexities f Hosmer’s career, reputation, and legacy.
Page rangepp. 283-298
Print length15 pages