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26. Urban Candy: Screens, Selfies and Imaginings

Chapter of: Women and Migration: Responses in Art and History(pp. 301–322)

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Metadata
Title26. Urban Candy: Screens, Selfies and Imaginings
ContributorRoshini Kempadoo(author)
DOIhttps://doi.org/10.11647/OBP.0153.26
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0153/chapters/10.11647/obp.0153.26
Licensehttp://creativecommons.org/licenses/by/4.0
CopyrightRoshini Kempadoo
PublisherOpen Book Publishers
Published on2019-03-08
Long abstractRoshini Kempadoo’s ‘Urban Candy: Screens, Selfies and Imaginings’ explores the itinerant imagery of her art project Face Up for the appropriateness of its response to current neoliberal politics and popular media. Kempadoo questions how difference is viewed when focusing on the Black women’s body across the world.
Page rangepp. 301-322
Print length21 pages
Contributors