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7.1.3 Experiments and Avant-Gardes in Contemporary History (1900–2000)

Chapter of: The European Experience: A Multi-Perspective History of Modern Europe, 1500–2000(pp. 841–852)

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Metadata
Title7.1.3 Experiments and Avant-Gardes in Contemporary History (1900–2000)
ContributorDelphine Bière (author)
Zsuzsanna Gyimesi (author)
Konstantinos Kornetis(author)
Steven Schouten (author)
DOIhttps://doi.org/10.11647/OBP.0323.78
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0323/chapters/10.11647/obp.0323.78
Licensehttp://creativecommons.org/licenses/by-nc/4.0/
CopyrightDelphine Bière; Zsuzsanna Gyimesi; Konstantinos Kornetis; Steven Schouten
PublisherOpen Book Publishers
Published on2023-02-21
Page rangepp. 841–852
Print length11 pages
LanguageEnglish (Original)
Contributors

Delphine Bière

(author)

Zsuzsanna Gyimesi

(author)

Konstantinos Kornetis

(author)
https://orcid.org/0000-0002-4582-7592

Steven Schouten

(author)
References
  1. Bürger, Peter, Theory of the Avant-garde (Minneapolis, MN: University of Minnesota Press, 1984).
  2. Gay, Peter, Modernism: The Lure of Heresy from Baudelaire to Beckett and Beyond (London: Vintage, 2007).
  3. Gough, Maria, The Artist as Producer: Russian Constructivism in Revolution (Berkeley: University of California Press, 2005).
  4. Greenberg, Clement, Art and Culture (Boston, Beacon Press, 1961).
  5. Poggoli, Renato, The Theory of the Avant-Garde (New Haven: Harvard University Press, 1968).
  6. Piotrowski, Piotr, Art and Democracy in Post-Communist Europe (London: Reaktion Books, 2012).
  7. Scheunemann, Dietrich, ed., European Avant-Garde: New Perspectives (Amsterdam: Rodopi, 2008).
  8. Weber, Andrew, The European Avant-Garde 1900–1940 (Cambridge: Polity, 2004).
  9. Willett, John, The New Society: Art and Politics in the Weimar Period, 1917–33 (London: Thames & Hudson, 1978).