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Tacit Cinematic Knowledge: An Operative Term

  • Rebecca Boguska (author)
  • Guilherme da Silva Machado (author)
  • Rebecca Puchta(author)
  • Marin Reljić (author)
Chapter of: Tacit Cinematic Knowledge: Approaches and Practices(pp. 9–28)

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Metadata
TitleTacit Cinematic Knowledge
SubtitleAn Operative Term
ContributorRebecca Boguska (author)
Guilherme da Silva Machado (author)
Rebecca Puchta(author)
Marin Reljić (author)
Licensehttps://creativecommons.org/licenses/by-sa/4.0/
CopyrightRebecca Boguska, Guilherme Machado, Rebecca Puchta, and Marin Reljić
Publishermeson press
Published on2024-05-22
Page rangepp. 9–28
LanguageEnglish (Original)
Contributors

Rebecca Boguska

(author)

Rebecca Boguska is a Film and Media Studies scholar. She was a recipient of the Postdoc.Mobility fellowship from the Swiss National Science Foundation (Brown University and University of Passau), and is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt.

Guilherme da Silva Machado

(author)

Guilherme Machado holds a doctorate in Film and Media Studies. He is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2019–21). His research deals with the visual culture of labor and the epistemological implications of visual techniques and technologies used to control the production and circulation of labor-related knowledge.

Rebecca Puchta

(author)
https://orcid.org/0000-0001-5597-5452

Rebecca Puchta is a PhD candidate in Film and Media Studies and a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2017–20). Situated at the intersection of film and cultural studies, her doctoral research project investigates representations of big data and surveillance in documentary filmmaking in the postSnowden era.

Marin Reljić

(author)

Marin Reljić holds a doctorate in Musicology and Film Studies and is a former member of the Graduate Research Training Program “Configurations of Film” at Goethe University Frankfurt (2017–20). He was the first recipient of the Gisela and Peter W. Schatt Foundation’s scholarship. His postdoctoral project focuses on the interface between music/musicology and ecology.