meson press
Old Modes, New Moods, or How Soundtracks Can Experiment
- Felipe Soares (author)
Chapter of: Tacit Cinematic Knowledge: Approaches and Practices(pp. 89–104)
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Title | Old Modes, New Moods, or How Soundtracks Can Experiment |
---|---|
Contributor | Felipe Soares (author) |
License | https://creativecommons.org/licenses/by-sa/4.0/ |
Copyright | Felipe Soares |
Publisher | meson press |
Published on | 2024-05-22 |
Page range | pp. 89–104 |
Language | English (Original) |
Contributors
Felipe Soares
(author)Professor of Cinema Studies at Universidade Federal de Santa Catarina
(Luiz) Felipe Soares is professor of Cinema Studies at the Federal University of Santa Catarina. His research deals with film music, literary theory, and image theory. After a sabbatical researching Sergei Eisenstein at King’s College London (2015), he is now conducting his second doctoral research project in Music at Santa Catarina State University, dealing with Sergei Prokofiev’s music for Sergei Eisenstein’s Ivan the Terrible.