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Epilogue

  • Fatima Lahham (author)
Chapter of: Improvising Otherwise: A Decolonial Feminist Approach to Improvisation in Early Modern English Culture(pp. 151–156)
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TitleEpilogue
ContributorFatima Lahham (author)
DOIhttps://doi.org/10.11647/obp.0451.06
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0451/chapters/10.11647/obp.0451.06
Licensehttps://creativecommons.org/licenses/by/4.0/
CopyrightFatima Lahham;
PublisherOpen Book Publishers
Published on2025-04-30
Page rangepp. 151–156
Print length6 pages
LanguageEnglish (Original)
Locations
Landing PageFull text URLPlatform
PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0451/chapters/10.11647/obp.0451.06Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0451.06.pdfFull text URL
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0451/chapters/10.11647/obp.0451.06Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0451/epilogue.xhtmlFull text URLPublisher Website
Contributors

Fatima Lahham

(author)
https://fatimalahham.com/

Fatima Lahham (b.1993) is a musician and researcher with interests across musical improvisation, feminist methodologies, early modern historiographies, and music and healthcare. After studies at Oxford University and the Royal College of Music in London, she received an AHRC studentship to support her PhD research at the University of Cambridge. Since then she has held academic positions at the Royal College of Music and Royal Holloway, University of London, and is currently employed as a researcher at Nordoff & Robbins, the UK’s largest music therapy charity. Fatima performs widely as a recorder player across baroque music, Arabic music and various improvisatory settings. Her solo album 'bulbul' (2022) has been followed by several singles and she also works as a community musician.

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