Skip to main content
meson press

Accidental Encounters, Incidental Care, and Shared Archival Practices

Chapter of: Accidental Archivism: Shaping Cinema’s Futures with Remnants of the Past(pp. 73–79)

Export Metadata

  • ONIX 3.1
    Cannot generate record: No publications supplied
  • ONIX 3.0
    • Thoth
      Cannot generate record: No publications supplied
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
      Cannot generate record: Missing PDF URL
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
    • OverDrive
      Cannot generate record: Missing Long Abstract
  • ONIX 2.1
    • EBSCO Host
      Cannot generate record: No PDF or EPUB URL
    • ProQuest Ebrary
      Cannot generate record: No PDF or EPUB URL
  • CSV
  • JSON
  • OCLC KBART
    Cannot generate record: Missing Landing Page
  • BibTeX
  • CrossRef DOI deposit
    Cannot generate record: No work or chapter DOIs to deposit
  • MARC 21 Record
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 Markup
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 XML
    Cannot generate record: MARC records are not available for chapters
Metadata
TitleAccidental Encounters, Incidental Care, and Shared Archival Practices
ContributorSonia Campanini(author)
Licensehttps://creativecommons.org/licenses/by-sa/4.0/
CopyrightSonia Campanini
Publishermeson press
Published on2023-12-22
Page rangepp. 73–79
LanguageEnglish (Original)
Contributors

Sonia Campanini

(author)
https://orcid.org/0009-0003-2470-4790

Sonia Campanini is a film scholar and researcher in film archiving, curating, and global film cultures at Goethe University Frankfurt. As Assistant Professor of Film Culture from 2015 to 2022 she directed the master’s program “Film Culture: Archiving, Programming, Presentation” at the same university. Her present project is titled Remaking Nollywood: Circulation Networks, Memory Constructions and Women Filmmaking.