meson press
The Pyramid Used to Be a Mountain
- Almudena Escobar López(author)
Chapter of: Accidental Archivism: Shaping Cinema’s Futures with Remnants of the Past(pp. 267–275)
Export Metadata
- ONIX 3.1Cannot generate record: No publications supplied
- ONIX 3.0
- ThothCannot generate record: No publications supplied
- Project MUSECannot generate record: No BIC or BISAC subject code
- OAPENCannot generate record: Missing PDF URL
- JSTORCannot generate record: No BISAC subject code
- Google BooksCannot generate record: No BIC, BISAC or LCC subject code
- OverDriveCannot generate record: Missing Long Abstract
- Thoth
- ONIX 2.1
- EBSCO HostCannot generate record: No PDF or EPUB URL
- ProQuest EbraryCannot generate record: No PDF or EPUB URL
- EBSCO Host
- CSV
- JSON
- OCLC KBARTCannot generate record: Missing Landing Page
- BibTeX
- CrossRef DOI depositCannot generate record: No work or chapter DOIs to deposit
- MARC 21 RecordCannot generate record: MARC records are not available for chapters
- MARC 21 MarkupCannot generate record: MARC records are not available for chapters
- MARC 21 XMLCannot generate record: MARC records are not available for chapters
Title | The Pyramid Used to Be a Mountain |
---|---|
Contributor | Almudena Escobar López(author) |
License | https://creativecommons.org/licenses/by-sa/4.0/ |
Copyright | Almudena Escobar López |
Publisher | meson press |
Published on | 2023-12-22 |
Page range | pp. 267–275 |
Language | English (Original) |
Contributors
Almudena Escobar López
(author)Assistant Professor on Film History, Film Preservation, and Collection Management at Toronto Metropolitan University
Almudena Escobar López is an independent curator, archivist, and researcher from Galicia, Spain, and an Assistant Professor on Film History, Film Preservation, and Collection Management at the School of Image Arts of the Toronto Metropolitan University. Her interdisciplinary research centers around documentary and artists’ moving image practices.