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Property: Colonial Histories and Messages to the Future - cover image
meson press

Property: Colonial Histories and Messages to the Future

  • Ulrike Bergermann (author)
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Metadata
TitleProperty
SubtitleColonial Histories and Messages to the Future
ContributorUlrike Bergermann (author)
DOIhttps://doi.org/10.14619/0689
Landing pagehttps://meson.press/books/property/
Licensehttps://creativecommons.org/licenses/by-sa/4.0/
CopyrightUlrike Bergermann
Publishermeson press
Publication placeLüneburg
Published on2025-10-27
Series
  • Configurations of Film vol. 14
  • ISSN Print: 0000-0008
  • ISSN Digital: 0000-0009
ISBN978-3-95796-068-9 (Paperback)
978-3-95796-069-6 (PDF)
Short abstract

To possess something is to lose something: Start­ing from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjec­tivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonial copyright.” At the level of theory, a crossing out and a reversal of time are required to undo property-related violence and its mind­sets. At the level of artistic practice new modes of appropriation become imaginable. And while the commons will not be restored, multiple modes of having and commoning are possible.

Long abstract

To possess something is to lose something: Start­ing from this seemingly contradictory claim this essay invokes various registers to defamiliarize the ways in which property structures subjec­tivity, world relations and affects. Intertwined with colonialism, racism and sexism, concepts of property have found an echo in piracy and “postcolonial copyright.” At the level of theory, a crossing out and a reversal of time are required to undo property-related violence and its mind­sets. At the level of artistic practice new modes of appropriation become imaginable. And while the commons will not be restored, multiple modes of having and commoning are possible.

Print length120 pages
LanguageEnglish (Original)
Dimensions127 x 178 mm | 5" x 7.01" (Paperback)
THEMA
  • JBCT
  • NHTR1
BISAC
  • SOC052000
LCC
  • JV1-9480
  • P87-96
Funding
  • Deutsche Forschungsgemeinschaft
  • Programme: Graduiertenkolleg
  • Project: GRK 2279: Konfigurationen des Films
  • Grant: 310565625
Locations
Landing PageFull text URLPlatform
PDFhttps://meson.press/books/property/Landing pagehttps://meson.press/wp-content/uploads/2025/09/978-3-95796-069-6-Bergermann.pdfFull text URLPublisher Website
Contributors

Ulrike Bergermann

(author)
Professorin für Medienwissenschaft at Braunschweig University of Art

Ulrike Bergermann (sie/ihr), Professorin für Medienwissenschaft, HBK Braunschweig, Schwerpunke: Gender und Postcolonial Studies. Vita und Publikationen: ulrikebergermann.de, zuletzt: A Side Taken. Relating To Slavery in Octavia Butler’s Kindred, in: Elke Bippus et al. (Hg.), Taking Sides, Bielefeld 2021; Connect and Divide: The Practice Turn in Media Studies, hg. m. Erhard Schüttpelz et al., Zürich 2021.

UK registered social enterprise and Community Interest Company (CIC).

Company registration 14549556

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