| Title | Conclusion |
|---|---|
| Contributor | Marie Buscatto (author) |
| Sari Karttunen(author) | |
| Mathilde Provansal (author) | |
| DOI | https://doi.org/10.11647/obp.0436.09 |
| Landing page | https://www.openbookpublishers.com/books/10.11647/obp.0436/chapters/10.11647/obp.0436.09 |
| License | https://creativecommons.org/licenses/by-nc/4.0/ |
| Copyright | Marie Buscatto; Sari Karttunen; Mathilde Provansal; |
| Publisher | Open Book Publishers |
| Published on | 2025-06-23 |
| Page range | pp. 197–200 |
| Print length | 4 pages |
| Language | English (Original) |
Marie Buscatto is a Full Professor of Sociology at the University of Paris 1 Panthéon-Sorbonne and a researcher at IDHE.S (Paris 1—CNRS). She is a sociologist of work, gender and the arts, and a specialist in qualitative methods. Her current work focuses on gender inequalities in art worlds and prestigious professions, gender-based violence in the arts and the paradoxes of artistic work in Europe, North America and Japan. Her most recent publications in English include Women in Jazz. Musicality, Femininity, Marginalization (Routledge, 2021) and ‘Getting Old in Art. Revisiting the Trajectories of ‘Modest’ Artists’ (Recherches sociologiques et anthropologiques, 2019). To find out more about her (more than) 160 publications, go to https://www.researchgate.net/profile/Marie-Buscatto
Sari Karttunen, DSoc Sc, is a Senior Researcher at the Center for Cultural
Policy Research CUPORE in Helsinki. She is also a Visiting Researcher
at the University of the Arts Helsinki and holds the title of Adjunct
Professor in cultural policy at the University of Jyväskylä. Her expertise
lies in the sociology of artistic occupations and the analysis and critique
of cultural statistics and other knowledge bases used in cultural policy.
Currently, her research interests focus on diversity issues within cultural
policy. Sari is an active member of the Research Network on Sociology
of the Arts of the European Sociological Association, having served as
co-coordinator from 2017 to 2019 and coordinator from 2019 to 2021.
Mathilde Provansal is a postdoctoral fellow in the Department of
Sociology of Ludwig-Maximilians-Universität München (Germany).
Her research concerns gender inequality and gender-based violence in
art schools and contemporary art. She published the monograph Artistes
mais femmes. Une enquête sociologique dans l’art contemporain (ENS Éditions,
2023), based on her dissertation on gender inequality in contemporary
art, which was awarded two prizes: the Valois prize 2020 from the French
Ministry of Culture, and the Louis Gruel prize from the Observatoire
National de la Vie Étudiante (National Student Life Observatory). She
has also published several articles, including ‘Precarious Professional
Identities. Women Artists and Gender Inequality within Contemporary
Art’ (L’Année Sociologique, 2024).