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4. Gender-Based Violence in French Art Schools and the Reproduction of Gender Inequality in Contemporary Art

  • Mathilde Provansal (author)
Chapter of: Gender-Based Violence in Arts and Culture: Perspectives on Education and Work(pp. 73–98)
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Title4. Gender-Based Violence in French Art Schools and the Reproduction of Gender Inequality in Contemporary Art
ContributorMathilde Provansal (author)
DOIhttps://doi.org/10.11647/obp.0436.04
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0436/chapters/10.11647/obp.0436.04
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightMathilde Provansal;
PublisherOpen Book Publishers
Published on2025-06-23
Long abstract

In the past five years, the testimonies published on social media by ‘Balancetonecoledart’ (‘expose your art school’) and the ones that accompanied a manifesto ‘for a #Metoo of the art world’ called attention to the fact that art schools are one of the sites of gender-based violence in the contemporary art. Yet, contrary to gender-based violence in university and elite academic institutions, gender-based violence in artistic higher education remains largely under-documented. Based on the case of French schools of visual arts, this chapter studies the forms of gender-based violence experienced by female students, the social processes and relations that produce and silence them, and their consequences for women’s integration in the contemporary art world. It draws on qualitative data collected during two different fieldworks: interviews with around fifty graduates and six instructors of a prestigious French art school, an ethnography of its exam entrance; interviews with seven art schools’ instructors, four members of feminist collectives fighting gender-based violence in higher artistic education, two workers in the ministry of Culture, and documents produced by feminist collectives. This case study reveals that gender-based violence does not disappear in contexts where women are a majority. Overall, the chapter emphasises how gender-based violence in artistic education constrains women’s creative abilities and access to professional norms and networks, and thus contributes to perpetuate gender segregation in contemporary art.

Page rangepp. 73–98
Print length26 pages
LanguageEnglish (Original)
Locations
Landing PageFull text URLPlatform
PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0436/chapters/10.11647/obp.0436.04Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0436.04.pdfFull text URL
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0436/chapters/10.11647/obp.0436.04Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0436/ch4.xhtmlFull text URLPublisher Website
Contributors

Mathilde Provansal

(author)
Postdoctoral Fellow in Sociology at Ludwig-Maximilians-Universität München
https://www.gender.soziologie.uni-muenchen.de/personen/wissenschaftlich_mitarbeiter/provansal/index.html

Mathilde Provansal is a postdoctoral fellow in the Department of

Sociology of Ludwig-Maximilians-Universität München (Germany).

Her research concerns gender inequality and gender-based violence in

art schools and contemporary art. She published the monograph Artistes

mais femmes. Une enquête sociologique dans l’art contemporain (ENS Éditions,

2023), based on her dissertation on gender inequality in contemporary

art, which was awarded two prizes: the Valois prize 2020 from the French

Ministry of Culture, and the Louis Gruel prize from the Observatoire

National de la Vie Étudiante (National Student Life Observatory). She

has also published several articles, including ‘Precarious Professional

Identities. Women Artists and Gender Inequality within Contemporary

Art’ (L’Année Sociologique, 2024).

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