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Whitewashing the Wards? Colour, Health, and Victorian Hospital Interiors

  • Kay Simpson (author)
Chapter of: Colour Matters: Exploring Chromatic Materialities in the Long Nineteenth Century (1798-1914)
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TitleWhitewashing the Wards?
SubtitleColour, Health, and Victorian Hospital Interiors
ContributorKay Simpson (author)
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightKay Simpson
PublisherOpen Book Publishers
Long abstract

The representation of the white interior of hospitals as cold and dehumanising forms a resurfacing trope in the chromatic history of health institutions well into the twentieth century, but it was first developed when whitewashing walls became the predominant practice in sanitary hospital design during the mid-nineteenth century. Mounting critiques of the white hospital interior precipitated the entry of various colours during the 1870s as part of the wider transformation and diversification of British hospitals. This development was tied to the widening institutionalisation of illness, reflected in a growing number of middle-class hospital patients and expanded typologies of hospital spaces. Hierarchies of class and gender, changing convalescent health cultures and sanitary reform initiatives further shaped the diversification of colour within hospital spaces. By positioning the transformation of hospital interiors within histories of Victorian colour, we can see how colour meanings and language were shaped by experiences of illness and, reciprocally, how experiencing colour informed concepts of health.

THEMA
  • AGA
  • PDX
  • NHTB
  • DSBF
  • JHMC
BISAC
  • ART015260
  • HIS054000
  • SCI034000
  • LIT004130
  • DES003000
  • SOC002010
Keywords
  • Colour studies
  • Material culture
  • History of science
  • Art history (long nineteenth century)
  • Pigments and dyes
  • Empire and identity
Contributors

Kay Simpson

(author)

Kay Simpson is a doctoral student based at the Department of History and Philosophy of Science at the University of Cambridge. She is interested in intersecting histories of art, medicine and modernity, and her doctoral work examines ideas and practices of colour as therapeutic in Britain in the decades around 1900. This project has been generously funded by an Open-Oxford-Cambridge AHRC DTP studentship. She previously completed an MA in Art History at the Warburg Institute (2018-19) and an MPhil in History and Philosophy of Science at Cambridge (2020-21). She has also delivered talks and organised exhibitions on the subject of art-making, illness and the therapeutic environment.

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