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Les Bienveillantes de Jonathan Littell: Études réunies par Murielle Lucie Clément
- Murielle Lucie Clément (editor)
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| Title | Les Bienveillantes de Jonathan Littell |
|---|---|
| Subtitle | Études réunies par Murielle Lucie Clément |
| Contributor | Murielle Lucie Clément (editor) |
| DOI | https://doi.org/10.11647/OBP.0006 |
| Landing page | https://www.openbookpublishers.com/books/10.11647/obp.0006 |
| License | http://creativecommons.org/licenses/by-nc-nd/2.0/ |
| Copyright | Marielle Lucie Clément |
| Publisher | Open Book Publishers |
| Publication place | Cambridge, UK |
| Published on | 2010-04-01 |
| ISBN | 978-1-906924-22-5 (Paperback) |
| 978-1-906924-21-8 (Hardback) | |
| 978-1-906924-23-2 (PDF) | |
| 978-1-80064-433-5 (HTML) | |
| Short abstract | Les Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as ‘deliberately repellent’ by the New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. In the first academic study of this controversial best-seller, twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. Offering a highly varied range of approaches, they tackle ideas around parricide, genocide, anti-Semitism and the Holocaust, as well as Littell’s portrayal of historical and fictional characters. |
| Long abstract | Les Bienveillantes (The Kindly Ones), caused a literary sensation in 2006. Described as "deliberately repellent" by The New York Times, Jonathan Littell’s novel tells the story of World War II through the eyes of former SS officer Maximilien Aue. This is the first academic study of this controversial, best-selling work.Twenty-one leading scholars discuss the aesthetics, themes and characters of the novel, as well as formal aspects of Littell’s writing. They tackle ideas surrounding parricide, genocide, ant-Semitism and the Holocaust as well as Littell’s portrayal of both historical and fictional characters. The collection offers a deeply varied range of approaches to Littell’s work and is essential reading for anyone interested in representations of World War II, the Holocaust and contemporary French literature. All the essays in this collection are written in French. |
| Print length | 352 pages (vii+345) |
| Language | French (Original) |
| Dimensions | 156 x 19 x 234 mm | 6.14" x 0.73" x 9.21" (Paperback) |
| 156 x 21 x 234 mm | 6.14" x 0.81" x 9.21" (Hardback) | |
| Weight | 1091g | 38.48oz (Paperback) |
| 1477g | 52.10oz (Hardback) | |
| Media | 3 illustrations |
| OCLC Number | 1086407706 |
| LCCN | 2019452805 |
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Contents
- Thierry Laurent
- Wladimir Troubetzkoy
- Julie Delorme
La dentellerie du réel
(pp. 47–72)- Antoine Jurga
Les silences des Bienveillantes
(pp. 73–86)- Bruno Viard
Max aux enfers. Esquisses "topographiques"...
(pp. 87–101)- Denis Briand
La connaissance du narrateur
(pp. 103–124)- Dominique Bocage-Lefebvre
Rêves et fantasmes dans Les Bienveillantes
(pp. 125–139)- Edith Perry
Maximilien Aue: une homosexualité de rigueur?
(pp. 141–153)- Éric Levéel
- Stéphane Roussel
La Shoah en flânant?
(pp. 171–184)- J. Marina Davies
- Patrice Imbaud
- Pauline de Tholozany
- Peter Tame
Un langage impossible
(pp. 231–244)- Serge Zenkine
- Yolanda Viñas del Palacio
- Youssef Ferdjani
Les Bienveillantes: une position ironique
(pp. 277–298)- Yves Boisseleau
Max Aue, un nazi peu typique? L'abjection comme moteur de la Shoah: une lecture kristevienne des Bienveillantes
(pp. 299–316)- Helena Duffy
À propos des corps liquides
(pp. 317–330)- Sabine van Wesemael
Introduction
(pp. 1–10)- Murielle Lucie Clément