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Introduction

  • Bregt Lameris(author)
Chapter of: Feeling Colour: Chromatic Embodiment in Film Culture, 1950s–1960s(pp. 1–24)
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TitleIntroduction
ContributorBregt Lameris(author)
DOIhttps://doi.org/10.11647/obp.0380.00
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0380/chapters/10.11647/obp.0380.00
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightBregt Lameris
PublisherOpen Book Publishers
Published on2025-03-06
Page rangepp. 1–24
Print length24 pages
LanguageEnglish (Original)
Locations
Landing PageFull text URLPlatform
PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0380/chapters/10.11647/obp.0380.00Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0380.00.pdfFull text URL
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0380/chapters/10.11647/obp.0380.00Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0380/introduction.xhtmlFull text URLPublisher Website
Contributors

Bregt Lameris

(author)
Senior Lecturer in Media Studies at Open University in the Netherlands
https://orcid.org/0000-0003-3077-7331
https://www.ou.nl/web/open-universiteit/zoek-medewerker#!user/bl1

Bregt Lameris works as a senior lecturer in Media Studies at the Open Universiteit (Heerlen), where she develops courses on for example the digital transition and the experience of cultural heritage, stigma in media, clothes and identity, disability studies and culture. Her colour research was embedded at the University of Zurich, where she was a postdoctoral researcher within the ERC Advanced Grant project ‘FilmColors’. Other research interests are stigma, media and mental health, media archaeology, film archiving, film historiography, affect, emotions and subjectivity in audiovisual representation, and disability studies. In 2017 she published her monograph Film Museum Practice and Film Historiography which is available in Open Access through Amsterdam University Press. She was a co-editor of the book The Colour Fantastic. Chromatic Worlds of Silent Cinema (2018), as well as of several special issues of various journals (Journal for Media History, Montage AV, Necsus, Locus.

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