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Feeling Colour: Chromatic Embodiment in Film Culture, 1950s–1960s

Metadata
TitleFeeling Colour
SubtitleChromatic Embodiment in Film Culture, 1950s–1960s
ContributorBregt Lameris(author)
DOIhttps://doi.org/10.11647/OBP.0380
Landing pagehttps://www.openbookpublishers.com/books/10.11647/OBP.0380
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightBregt Lameris
PublisherOpen Book Publishers
Publication placeCambridge, UK
Published on2025-03-06
ISBN978-1-80511-170-2 (Paperback)
978-1-80511-171-9 (Hardback)
978-1-80511-172-6 (PDF)
978-1-80511-175-7 (HTML)
978-1-80511-173-3 (EPUB)
Short abstractThe shift back from quasi monochrome to coloured motion picture during the 1950s and 1960s famously provided moviegoers the dazzling opportunity to more fully engage their senses, all the while opening new modes of affective possibilities for filmmakers. Set against the intersection of media studies, emotion theory, biology, and digital humanities, Feeling Colour: Chromatic Embodiment in Film Culture (1950s-1960s) delves into the role colour played in the oft-fraught relationship between cinema and its audiences. This transnational analysis of an extensive range of midcentury cinematography examines the multilayered effects which extend beyond the silver screen, offering a high-level theoretical elaboration and in-depth historical exploration of both experimental and mainstream movies.
Long abstractThe shift back from quasi monochrome to coloured motion picture during the 1950s and 1960s famously provided moviegoers the dazzling opportunity to more fully engage their senses, all the while opening new modes of affective possibilities for filmmakers. Set against the intersection of media studies, emotion theory, biology, and digital humanities, Feeling Colour: Chromatic Embodiment in Film Culture (1950s-1960s) delves into the role colour played in the oft-fraught relationship between cinema and its audiences. This transnational analysis of an extensive range of midcentury cinematography examines the multilayered effects which extend beyond the silver screen, offering a high-level theoretical elaboration and in-depth historical exploration of both experimental and mainstream movies. Lameris takes an interdisciplinary perspective, examining the different ways colour creates—or was believed to create—embodied reactions. From perception theory and 'putting the nerves in motion’, to colour psychology and how to ‘steer’ the spectator, to cross-modal perception (or ‘synaesthesia’), Lameris asks how how colours and feelings in film are entangled in the colour cultures, discourses and beliefs of a particular historical context. With its influential cultural scholarly contribution and accessible writing style, this book will delight both students and specialists in film and media studies. In addition, those interested in the history and use of color in advertising, neuroscience, gender studies, and emotion will find the book engaging and useful.
Print length306 pages (vi+300)
LanguageEnglish (Original)
Dimensions178 x 22 x 254 mm | 7.01" x 0.87" x 10" (Paperback)
178 x 26 x 254 mm | 7.01" x 1.02" x 10" (Hardback)
Weight723g | 25.50oz (Paperback)
941g | 33.19oz (Hardback)
Media206 illustrations
OCLC Number1505909711
THEMA
  • AGA
  • ATF
  • JHMC
  • AGZC
BIC
  • ABA
  • JMA
  • JMR
  • APF
  • AGZ
BISAC
  • PER004030
  • ART015000
  • PSY013000
  • SOC002010
  • SCI034000
  • ART007000
Keywords
  • Colour film
  • Film studies
  • Mid-20th-century culture
  • Cross-modal synesthesia
  • Colour psychology
  • psychedelic culture
Funding
Contents

Introduction

(pp. 1–24)
  • Bregt Lameris

1. Feeling Film Colours: Theoretical Framework

(pp. 25–40)
  • Bregt Lameris

Part I: STIRRING UP THE EYE WITH COLOUR

(pp. 41–42)
  • Bregt Lameris

2. Colour Contrasts, Culture and Perception

(pp. 43–58)
  • Bregt Lameris

3. Shocking, Shifting, Straining

(pp. 59–78)
  • Bregt Lameris

4. Oscillating Op Art

(pp. 79–94)
  • Bregt Lameris

PART II : COLOUR PSYCHOLOGIES

(pp. 95–100)
  • Bregt Lameris

5. How Can Colours (Be) Control(led)

(pp. 101–132)
  • Bregt Lameris

6. Coloured Light, Vibrations, Temperature, and Mood

(pp. 133–168)
  • Bregt Lameris

PART III: TOUCHING AND TASTING IN COLOUR

(pp. 169–176)
  • Bregt Lameris

7. Colour, Taste and Food

(pp. 177–198)
  • Bregt Lameris

8. Touching Colours

(pp. 199–234)
  • Bregt Lameris

Coda: Hallucinating Colours

(pp. 235–248)
  • Bregt Lameris
Locations
PaperbackLanding pageFull text URLPublisher Website
HardbackLanding pageFull text URLPublisher Website
PDFLanding pageFull text URLPublisher Website
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Landing pageFull text URLINTERNET ARCHIVE
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Contributors

Bregt Lameris

(author)
Senior Lecturer in Media Studies at Open University in the Netherlands
https://orcid.org/0000-0003-3077-7331
https://www.ou.nl/web/open-universiteit/zoek-medewerker#!user/bl1

Bregt Lameris works as a senior lecturer in Media Studies at the Open Universiteit (Heerlen), where she develops courses on for example the digital transition and the experience of cultural heritage, stigma in media, clothes and identity, disability studies and culture. Her colour research was embedded at the University of Zurich, where she was a postdoctoral researcher within the ERC Advanced Grant project ‘FilmColors’. Other research interests are stigma, media and mental health, media archaeology, film archiving, film historiography, affect, emotions and subjectivity in audiovisual representation, and disability studies. In 2017 she published her monograph Film Museum Practice and Film Historiography which is available in Open Access through Amsterdam University Press. She was a co-editor of the book The Colour Fantastic. Chromatic Worlds of Silent Cinema (2018), as well as of several special issues of various journals (Journal for Media History, Montage AV, Necsus and Locus.

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