| Title | Norm, Measure of all Things |
|---|---|
| Contributor | Sofia Lemos (author) |
| DOI | https://doi.org/10.21983/P3.0098.1.13 |
| Landing page | https://punctumbooks.com/titles/the-funambulist-papers-vol-2/ |
| License | https://creativecommons.org/licenses/by-nc-sa/4.0/ |
| Copyright | Lemos, Sofia |
| Publisher | punctum books |
| Published on | 2015-04-09 |
| Long abstract | Architectural practice and theoretical discourse has considered Ernst Neufert’s canonical Architects’ Data (1936) as a product of the search for an optimal built environment based on accounts of a single normative body. In light of the increasing pervasiveness of bespoke biometric solutions and its applications in architecture and design, this essay seeks to offer a different genealogy of the en-tanglement between architecture standards and statistical methods of measuring the social body. This essay draws a speculative history from the point when modern architecture ceases to account for, to become accountable for normalizing that body.Norms, have long inhabited the architect’s toolset. Pertaining to the carpenter’s square or rule norma is first codified in the early nine-teenth century as ‘standard, pattern, model’ as evidence of its com-mon usage. Whereas the vernacular use of the noun ‘norm’ had to do with geometry, with ‘right angles’ and perpendicular lines, its ad-jectival derivation ‘normal’ is defined in 1828 in the Oxford English Dictionary as ‘constituting, conforming to, not deviating or differ from, the common type or standard.’ The emergence of the adjectival form of the noun is the first historical clue that suggests a symbolic shift that happened throughout the eighteenth century from the language of geometry to that of biological matter. |
| Page range | pp. 86–97 |
| Print length | 12 pages |
| Language | English (Original) |