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Brownshirt Princess: A Study of the 'Nazi Conscience'
- Lionel Gossman (author)
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| Title | Brownshirt Princess |
|---|---|
| Subtitle | A Study of the 'Nazi Conscience' |
| Contributor | Lionel Gossman (author) |
| DOI | https://doi.org/10.11647/OBP.0003 |
| Landing page | https://www.openbookpublishers.com/books/10.11647/obp.0003 |
| License | http://creativecommons.org/licenses/by-nc-nd/2.0/ |
| Copyright | Lionel Gossman |
| Publisher | Open Book Publishers |
| Publication place | Cambridge, UK |
| Published on | 2009-04-20 |
| ISBN | 978-1-906924-06-5 (Paperback) |
| 978-1-906924-07-2 (Hardback) | |
| 978-1-906924-08-9 (PDF) | |
| 978-1-80064-430-4 (HTML) | |
| Short abstract | In the years after WWI, Princess Marie Adelheid of Lippe-Biesterfeld collaborated with Heinrich Vogeler, an artist who later joined the Communist party, and Ludwig Roselius, a successful businessman, to produce a volume of poetry entitled ‘Gott in Mir’. In this original and inspiring study, Lionel Gossman explores the revolutionary ideological context that made possible this extraordinary collaboration between three such different personalities. He also examines the subsequent life of Princess Adelheid who, until her death in 1993, continued to support the ideals of Nazism. In doing so, Gossman provides deep insights into the sources and character of the ‘Nazi Conscience’. |
| Long abstract | Princess Marie Adelheid of Lippe-Biesterfeld was a rebellious young writer who became a fervent Nazi. Heinrich Vogeler was a well-regarded artist who was to join the German Communist Party. Ludwig Roselius was a successful businessman who had made a fortune from his invention of decaffeinated coffee. What was it about the revolutionary climate following World War I that induced three such different personalities to collaborate in the production of a slim volume of poetry—entitled Gott in Mir—about the indwelling of the divine within the human? Gossman's study situates the poem in the ideological context that made the collaboration possible: pantheism, Darwinism, disillusionment with traditional liberal values, theosophy and völkisch religions, and Lebensreform. The study outlines the subsequent life of the Princess who, until her death in 1993, continued to support and celebrate the ideals and heroes of National Socialism. Brownshirt Princess provides deep insight into the sources and character of the "Nazi Conscience", and is invaluable reading for anybody interested in understanding German society during the inter-war and Nazi periods. The University Committee on Research in the Humanities and Social Sciences, Princeton University, has generously contributed towards the publication of this volume. |
| Print length | 217 pages (xiii + 204) |
| Language | English (Original) |
| Dimensions | 156 x 12 x 234 mm | 6.14" x 0.46" x 9.21" (Paperback) |
| 156 x 14 x 234 mm | 6.14" x 0.56" x 9.21" (Hardback) | |
| Weight | 685g | 24.16oz (Paperback) |
| 1064g | 37.53oz (Hardback) | |
| Media | 21 illustrations |
| OCLC Number | 699563621 |
| LCCN | 2019467302 |
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Contents
The Title
(pp. 15–41)- Lionel Gossman
The Epigraph and the Envoy
(pp. 43–46)- Lionel Gossman
The Poem
(pp. 47–55)- Lionel Gossman
- Lionel Gossman
- Lionel Gossman
Nordische Frau und Nordischer Glaube
(pp. 89–93)- Lionel Gossman
Die Overbroocks
(pp. 95–106)- Lionel Gossman
After 1945: Unrepentant Neo-Nazi
(pp. 107–126)- Lionel Gossman
Concluding Reflections
(pp. 127–130)- Lionel Gossman
- Lionel Gossman
Contributors
Lionel Gossman
(author)M. Taylor Pyne Professor of Romance Languages (Emeritus) at Princeton University