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  2. Rural Transitions in Mongolia and Central Asia
  3. Hybridity and Vitality of Culture: Mongolian Traditional Performing Arts During and After the Covid-19 Pandemic
The White Horse Press

Hybridity and Vitality of Culture: Mongolian Traditional Performing Arts During and After the Covid-19 Pandemic

  • Akira Kamimura(author)
Chapter of: Rural Transitions in Mongolia and Central Asia: Pastoralism, Wellbeing and Economic Relations(pp. 184–199)
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Metadata
TitleHybridity and Vitality of Culture: Mongolian Traditional Performing Arts During and After the Covid-19 Pandemic
ContributorAkira Kamimura(author)
DOIhttps://doi.org/10.63308/63899870973021.ch10
Landing pagehttps://www.whpress.co.uk/publications/product/rural-transitions-in-mongolia-and-central-asia/
Licensehttps://creativecommons.org/licenses/by/4.0
CopyrightAkira Kamimura
PublisherThe White Horse Press
Published on2026-02-15
Page rangepp. 184–199
Print length16 pages
LanguageEnglish (Original)
Contributors

Akira Kamimura

(author)
Tokyo University of Foreign Studies
https://orcid.org/0000-0003-3165-4974

Akira Kamimura is a researcher at the Institute of Global Studies, Tokyo University of Foreign Studies. Since 1992, he has engaged in fieldwork in western Mongolia and other regions of the country. His research topics are (1) the ethnicity and history of West Mongolia; (2) land use: pastoral migrations, pastureland as commons, and the perception of landscape as depicted in old manuscript maps; and (3) traditional and contemporary performing arts in Mongolia. He is also a principal investigator for the research project ‘Sound World and Arts of Voice in Western Mongolia: How to Communicate with the Master of the Altai Mountains’.

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