| Title | Apian Semantics |
|---|---|
| Contributor | Matthew Clements (author) |
| DOI | https://doi.org/10.21983/P3.0053.1.20 |
| Landing page | https://punctumbooks.com/titles/the-funambulist-papers-vol-1/ |
| License | https://creativecommons.org/licenses/by-nc-sa/3.0/ |
| Copyright | Clements, Matthew |
| Publisher | punctum books |
| Published on | 2013-10-23 |
| Long abstract | Late in the second part of Samuel Beckett’s novel, Jacques Moran’s thoughts turn to his bees. Having given up his pursuit of Molloy and on the verge of returning home, Moran confesses:I often thought of my bees [...] And I thought above all of their dance, for my bees danced oh not as men dance, to amuse themselves, but in a different way. I alone of all mankind knew this, to the best of my belief. I had investigated this phenom-enon very fully. The dance was best to be observed among the bees returning to the hive, laden more or less with nectar, and it involved a great variety of figures and rhythms. These evolu-tions I finally interpreted as a system of signals by means of which incoming bees, satisfied or dissatisfied with their plunder, informed the outgoing bees in what direction to go, and in what not to go. But the outgoing bees danced too. It was no doubt their way of saying I understand, or, Don’t worry about me. But away from the hive, and busily at work, the bees did not dance. Here their watchword seemed to be, Every man for himself, as-suming bees to be capable of such notions |
| Page range | pp. 112–117 |
| Print length | 6 pages |
| Language | English (Original) |