Artistic Research on Anonymity
- Daniela Silvestrin (author)
- Andreas Broeckmann(author)
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| Title | Artistic Research on Anonymity |
|---|---|
| Contributor | Daniela Silvestrin (author) |
| Andreas Broeckmann(author) | |
| DOI | https://doi.org/10.53288/0315.1.04 |
| Landing page | https://punctumbooks.com/titles/book-of-anonymity/ |
| License | https://creativecommons.org/licenses/by-nc-sa/4.0/ |
| Copyright | Daniela Silvestrin; Andreas Broeckmann |
| Publisher | punctum books |
| Published on | 2021-03-04 |
| Page range | pp. 35–67 |
| Print length | 33 pages |
| Language | English (Original) |
Daniela Silvestrin
(author)Daniela Silvestrin is a Berlin-based curator, cultural researcher, programme developer and organises interna- tional cultural projects. Her work focuses on hybrid artistic practices and the production of knowledge where art, society, technology and the natural sciences meet. Since 2011, Daniela has worked for various festivals, art projects, exhibitions, and is co-editor of various publications
Andreas Broeckmann
(author)Andreas Broeckmann is an art historian and curator who lives in Berlin. Currently Visiting Professor for Art His- tory and Media Theory at the Academy of Fine Arts, Leipzig (HGB–Hochschule für Grafik und Buchkunst, 2017–2020) and engaged in the research and documentation project, Les Immateriaux Research. From 2011–2016 he directed the Leuphana Arts Program of Leuphana University Lüneburg. He was the Founding Director of the Dortmunder U – Centre for Art and Creativity (2009–2011) and has curated exhibitions and festivals in major European venues, incl. transmediale and ISEA2010 RUHR. He holds a Ph.D. in Art History from the University of East Anglia, Norwich/UK, and lectures internationally about the history of modern art, media theory, machine aesthetics, and digital culture. He is the author of Machine Art in the Twentieth Century (MIT-Press, 2016).