Skip to main content
Open Book Publishers

4. Beardsley Images and the “Europe of Reviews”

Export Metadata

  • ONIX 3.0
    • Thoth
      Cannot generate record: No publications supplied
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
      Cannot generate record: Missing PDF URL
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
    • OverDrive
      Cannot generate record: Missing Long Abstract
  • ONIX 2.1
    • EBSCO Host
      Cannot generate record: No PDF or EPUB URL
    • ProQuest Ebrary
      Cannot generate record: No PDF or EPUB URL
  • CSV
  • JSON
  • OCLC KBART
  • BibTeX
  • CrossRef DOI deposit
    Cannot generate record: This work does not have any ISBNs
  • MARC 21 Record
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 Markup
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 XML
    Cannot generate record: MARC records are not available for chapters
Metadata
Title4. Beardsley Images and the “Europe of Reviews”
ContributorEvanghelia Stead(author)
DOIhttps://doi.org/10.11647/obp.0413.04
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0413/chapters/10.11647/obp.0413.04
Licensehttps://creativecommons.org/licenses/by-nc-nd/4.0/
CopyrightEvanghelia Stead
PublisherOpen Book Publishers
Published on2024-10-11
Long abstractChapter 4, Beardsley Images and the “Europe of Reviews,” stresses the exceptional amount of press articles devoted to Beardsley and how he worked them into shaping his image, having early grasped the importance of media in an artist’s career. The chapter shows the weight of the first Studio article on his art and fame to then take his images beyond the London scene and discuss his media performance in the Italian magazine Emporium, replaced within the framework of a “Europe of Reviews.” It places the Emporium articles in their generic category, the fine and applied arts journals aimed at the educated reader, and shows how self-modelling of images, borrowed from the Sketch, an English magazine of general circulation, echoes far-away journals transiting via French ones. Recourse to a yet different periodical type, the French avant-garde reviews, exemplifies how a poignant portrait of Beardsley comes to the fore, related to the artist’s early passing. The chapter concludes stressing the benefits of considering periodicals as a network.
Page rangepp. 141–166
Print length26 pages
LanguageEnglish (Original)
Contributors

Evanghelia Stead

(author)
Professor of Comparative Literature and Print Culture at Université de Versailles Saint-Quentin-en-Yvelines

Linguist, literary translator and honorary Fellow of the Institut Universitaire de France, Evanghelia Stead is Professor of Comparative Literature and Print Culture at the Université de Versailles-Saint-Quentin (UVSQ Paris-Saclay). In 2023 she brought the TIGRE seminar on literature, visual and print culture to UVSQ, which she had been running in Paris at the École Normale Supérieure (Department of the Arts) since 2004. She has been honoured internationally with visiting professorships at Marburg and Verona Universities, and won numerous sponsored research fellowships (CNRS, EURIAS/FRIAS, IUF, Beinecke). She has published extensively on fin-de-siècle culture, periodicals, history of the book, literature and iconography, Greek and Latin myths in modern literature, and the literary tradition of ‘the Thousand and Second Night.’ A well-known specialist on fin-de-siècle art and culture, she has also developed methodologies for periodical studies, expertise on reading books as cultural objects, reading with images, and through literature-related visual art.