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Capillary, Migratory, Projective: Inventing Cinema’s Past So That It May Have a Future. An Introduction

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Metadata
TitleCapillary, Migratory, Projective
SubtitleInventing Cinema’s Past So That It May Have a Future. An Introduction
ContributorStefanie Schulte Strathaus (author)
Vinzenz Hediger(author)
Licensehttps://creativecommons.org/licenses/by-sa/4.0/
CopyrightStefanie Schulte Strathaus and Vinzenz Hediger
Publishermeson press
Published on2023-12-22
Page rangepp. 13–29
LanguageEnglish (Original)
Contributors

Stefanie Schulte Strathaus

(author)

Stefanie Schulte Strathaus is the artistic director of Arsenal – Institute for Film and Video Art in Berlin. From 2001 to 2019 she was a member of the selection committee of the Berlinale Forum. From 2006 to 2020 she was the founding director of the Berlinale section Forum Expanded. She curated film exhibitions, such as “LIVE FILM! JACK SMITH! Five Flaming Days in A Rented World” (2009, with Susanne Sachsse and Marc Siegel), „A Paradise Built in Hell“ (2014, with Bettina Steinbrügge), and “From Behind the Screen” (2018), as well as research and exhibition projects such as “Living Archive – Archive Work as a Contemporary Artistic and Curatorial Practice“ (2010–2013) and “Archive außer sich” (2017–2022). In 2021 she launched the biennial festival “Archival Assembly“. Her work is dealing with the intersections of film restoration, exhibition and distribution, focussing on collaborative and decolonial thinking and practice. Schulte Strathaus is serving on the boards of the Harun Farocki Institut and the Master program Film Culture at the University in Jos/Nigeria.

Vinzenz Hediger

(author)
Professor of Cinema Studies at Goethe University Frankfurt

Vinzenz Hediger is Professor of Cinema Studies at Goethe Universität Frankfurt, where he directs the DFG Research Training Program „Configurations of film“ (www.konfigurationen-des-films.de) and the area studies project CEDITRAA – Cultural Entrepreneurship and Digital Transformation in Africa and Asia (www.ceditraa. net). He is a co-director of GU’s research center ConTrust – Trust and Conflict under Conditions of Uncertainty. His research covers film theory, film and media history, documentary forms, and organizational media and supply studies.