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  3. 3. The Structures of Narrative Imagination: Reading an Outline of Theodor Fontane’s Novel Die Poggenpuhls as a Test Case for Genetic Narratology
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3. The Structures of Narrative Imagination: Reading an Outline of Theodor Fontane’s Novel Die Poggenpuhls as a Test Case for Genetic Narratology

  • Matthias Grüne(author)
Chapter of: Genetic Narratology: Analysing Narrative across Versions(pp. 35–54)
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Title3. The Structures of Narrative Imagination
SubtitleReading an Outline of Theodor Fontane’s Novel Die Poggenpuhls as a Test Case for Genetic Narratology
ContributorMatthias Grüne(author)
DOIhttps://doi.org/10.11647/obp.0426.03
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0426/chapters/10.11647/obp.0426.03
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightMatthias Grüne;
PublisherOpen Book Publishers
Published on2024-12-17
Long abstractThe article discusses the connection between genetic and narratological research using the example of a plot outline from Theodor Fontane's novel ‘Die Poggenpuhls’. It is demonstrated that the application of narratological categories can help to understand the structural conditions that determine the imagination of the narrated world. The outline already exhibits specific characteristics of realistic narration. It becomes clear, for example, that Fontane is guided by the principle of the scene in structuring his plot. Furthermore, immersion in such passages, which are already relatively precisely delimited in terms of space and time, can be seen as an essential driving force in the creative process. The same applies to the significance of supposedly functionless details that appear at an early stage of production and can thus be interpreted as a source of inspiration for the imagination. Finally, the plot sketch also shows a convergence and perspective blending of character and narrator speech, which is characteristic of realistic storytelling.
Page rangepp. 35–54
Print length20 pages
LanguageEnglish (Original)
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PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0426/chapters/10.11647/obp.0426.03Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0426.03.pdfFull text URL
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0426/chapters/10.11647/obp.0426.03Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0426/ch3.xhtmlFull text URLPublisher Website
Contributors

Matthias Grüne

(author)
Assistant Profressor at University of Wuppertal
https://orcid.org/0009-0003-0234-304X

Matthias Grüne is an assistant professor at the University of Wuppertal, where he teaches Modern German Literature. After completing his doctoral project on Otto Ludwig’s Romanstudien at the University of Leipzig, he worked in Leipzig as a research assistant on the DFG project ‘Historisch-kritische Edition von Otto Ludwigs Romanstudien’ before moving to the University of Wuppertal in 2018. His habilitation project focuses on literary representations of lived experience in German literature since the 18th century. His most recent book publications include the historical-critical edition of Ludwig’s Romanstudien (2021), the anthology Theodor Fontane und das Erbe der Aufklärung (together with Jana Kittelmann; 2021) and the monograph Realistische Narratologie. Otto Ludwigs Romanstudien im Kontext einer Geschichte der Erzähltheorie (2018). Matthias Grüne is a board member of the Interdisciplinary Centre for Narrative Research (CNR) in Wuppertal and a member of the editorial board of DIEGESIS, the Interdisciplinary E-Journal for Narrative Research.

References
  1. Andrews, Molly (2014), Narrative Imagination and Everyday Life (Oxford: Oxford University Press).
  2. Barthes, Roland (1968), ‘L’Effet de Réel’, Communications, 11: 84–89, https://doi.org/10.3406/comm.1968.1158.
  3. Chatman, Seymour (1978), Story and Discourse: Narrative Structure in Fiction and Film (Ithaca, NY and London: Cornell University Press).
  4. Dannenberg, Hilary P. (2005), ‘Plot’, in: Routledge Encyclopedia of Narrative Theory, ed. by David Herman et al. (London and New York: Routledge), 435–39.
  5. De Biasi, Pierre-Marc (1996), ’What is a Literary Draft? Toward a Functional Typology of Genetic Documentation’, trans. by Ingrid Wassenaar, Yale French Studies, 89: 26–58.
  6. Fludernik, Monika (1996), Towards a ’Natural Narratology’ (London and New York: Routledge).
  7. Fontane, Theodor (2006), Die Poggenpuhls. Roman, ed. by Gabriele Radecke (Berlin: Aufbau).
  8. Grüne, Matthias (2018), Realistische Narratologie: Otto Ludwigs ‘Romanstudien’ im Kontext einer Geschichte der Erzähltheorie (Berlin and Boston: De Gruyter). https://doi.org/10.1515/9783110541502.
  9. Hehle, Christine (2023), ‘Situation/Szene’, in: Theodor Fontane Handbuch, ed. by Rolf Parr et al., vol. 2 (Berlin and Boston: De Gruyter), 1047–51.
  10. Hettche, Walter (2003), ‘“Die erste Skizze wundervoll”. Zu einem Kapitel aus Theodor Fontanes Roman Vor dem Sturm’, in: Schrift—Text—Edition. Hans Walter Gabler zum 65. Geburtstag, ed. by Christiane Henkes et al. (Tübingen: Niemeyer), 213–20.
  11. Kukkonen, Karin (2014), ‘Plot’, in: the Living Handbook of Narratology, ed. by Peter Hühn et al. (Hamburg: Hamburg University). https://www-archiv.fdm.uni-hamburg.de/lhn/node/115.html.
  12. Kukkonen, Karin (2019), 4E Cognition and Eighteenth-Century Fiction: How the Novel Found its Feet (Oxford: Oxford University Press).
  13. McGillen, Petra S. (2019), The Fontane Workshop: Manufacturing Realism in the Industrial Age of Print (New York and London: Bloomsbury Academic).
  14. Radecke, Gabriele (2002), Vom Schreiben zum Erzählen. Eine Textgenetische Studie zu Theodor Fontanes ‘L’Adultera’ (Würzburg: Königshausen & Neumann).
  15. Scheffel, Michael (2022), ‘Wege zu einer Genetischen Narratologie oder: Von der Geburt und dem Abenteuer der Geschichten am Beispiel von Werkgenesen des Autors Arthur Schnitzler’, DIEGESIS. Interdisziplinäres E-Journal für Erzähl-forschung/Interdisciplinary E-Journal for Narrative Research, 10.1: 49–72, https://www.diegesis.uni-wuppertal.de/index.php/diegesis/article/download/424/608/.
  16. Schmid, Wolf (2010): Narratology: An Introduction, trans. by Alexander Starritt (Berlin and New York: De Gruyter).
  17. Stanzel, Franz K. (1986), A Theory of Narrative, trans. by Charlotte Goedsche (Cambridge: Cambridge University Press).
  18. Van Hulle, Dirk (2022), Genetic Criticism: Tracing Creativity in Literature (Oxford: Oxford University Press). https://doi.org/10.1093/oso/9780192846792.001.0001.
  19. White, Hayden (1980), ‘The Value of Narrativity in the Representation of Reality’, Critical Inquiry, 7.1: 5–27, https://www.jstor.org/stable/1343174.

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