Open Book Publishers
Genetic Narratology: Analysing Narrative across Versions
- Dirk Van Hulle(editor)
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| Title | Genetic Narratology |
|---|---|
| Subtitle | Analysing Narrative across Versions |
| Contributor | Dirk Van Hulle(editor) |
| DOI | https://doi.org/10.11647/OBP.0426 |
| Landing page | https://www.openbookpublishers.com/books/10.11647/OBP.0426 |
| License | https://creativecommons.org/licenses/by-nc/4.0/ |
| Copyright | Dirk Van Hulle. Copyright of individual chapters are maintained by the chapter author(s). |
| Publisher | Open Book Publishers |
| Publication place | Cambridge, UK |
| Published on | 2024-12-17 |
| ISBN | 978-1-80511-399-7 (Paperback) |
| 978-1-80511-400-0 (Hardback) | |
| 978-1-80511-401-7 (PDF) | |
| 978-1-80511-403-1 (HTML) | |
| 978-1-80511-402-4 (EPUB) | |
| Short abstract | Genetic Narratology is the first full-length volume to merge genetic criticism with narratology, offering an innovative approach to understanding literature. By examining the creative process behind literary works through drafts, manuscripts and revisions, this book reveals how narratives are shaped in real time. |
| Long abstract | Genetic Narratology is the first full-length volume to merge genetic criticism with narratology, offering an innovative approach to understanding literature. By examining the creative process behind literary works through drafts, manuscripts and revisions, this book reveals how narratives are shaped in real time. Through diverse case studies—from Charlotte Brontë to Stephen King—this collection demonstrates how the material processes of writing influence narrative structure, pacing, and even the ‘untold’. By integrating genetic criticism with narratological methods, contributors explore how stories evolve, providing fresh insights into time, space, character, and suspense. Bridging the gap between the production and reception of texts, this volume makes a compelling case for incorporating genetic methods into broader narratological frameworks, enhancing not only our understanding of the genesis of literary works, ultimately enriching the reading experience, but also our awareness of the ways we narrativise this genesis. The book will be of interest to students and researchers alike, offering a new set of tools for analysing narrative across different versions. |
| Print length | 320 pages (xiv+306) |
| Language | English (Original) |
| Dimensions | 156 x 23 x 234 mm | 6.14" x 0.91" x 9.21" (Paperback) |
| 156 x 26 x 234 mm | 6.14" x 1.02" x 9.21" (Hardback) | |
| Weight | 610g | 21.52oz (Paperback) |
| 784g | 27.65oz (Hardback) | |
| Media | 12 illustrations |
| 2 tables | |
| OCLC Number | 1479770541 |
| LCCN | 2023513461 |
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Contents
1. An Introduction to Genetic Narratology: Geneses of Narratives and Narratives of Geneses
(pp. 1–16)- Dirk Van Hulle
2. Metagenesis: Manuscripts, and How Metanarration and Metafiction Contribute to Their Analysis
(pp. 17–34)- Karin Kukkonen
- Matthias Grüne
- Josefine Hilfling
- Charles Mascia
- Claire Qu
- Joris Zilliukas
8. Drafting ‘Anon’ and Killing Anon: Virginia Woolf and the Genesis of English Literary Language
(pp. 133–150)- Joshua Phillips
- Pim Verhulst
- Jane Loughman
- Luc Herman
- John M. Krafft
- Vincent Neyt
- Lars Bernaerts
14. ‘Indolence, interruption, business, and pleasure’: Narratological Rupture in The Last Samurai
(pp. 241–260)- Kaia Sherry
- Lamyk Bekius
Contributors
Dirk Van Hulle
(editor)Professor of Bibliography and Modern Book History at University of Oxford
Professorial Fellow at Jesus College at University of Oxford
Dirk Van Hulle is Professor of Bibliography and Modern Book History at the University of Oxford, director of the Oxford Centre for Textual Editing and Theory (OCTET) and of the Centre for Manuscript Genetics at the University of Antwerp. With Mark Nixon, he is director of the MLA award-winning Beckett Digital Manuscript Project (www.beckettarchive. org), series editor of the series ‘Elements in Beckett Studies’, editor of the Journal of Beckett Studies, and curator of the Bodleian exhibition Write Cut Rewrite (Oxford, Feb 2024–Jan 2025). His publications include Textual Awareness (2004), Modern Manuscripts (2014), Samuel Beckett’s Library (2013, with Mark Nixon), The New Cambridge Companion to Samuel Beckett (2015), James Joyce’s Work in Progress (2016), Genetic Criticism: Tracing Creativity in Literature (2022), and Write Cut Rewrite (2024, with Mark Nixon).
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