| Title | After (News That Stays News) |
|---|---|
| Contributor | Sean Gurd (author) |
| DOI | https://doi.org/10.53288/0446.1.15 |
| Landing page | https://punctumbooks.com/titles/the-before-and-the-after-critical-asynchrony-now/ |
| License | https://creativecommons.org/licenses/by-nc-sa/4.0/ |
| Copyright | Sean Gurd |
| Publisher | punctum books |
| Published on | 2025-01-29 |
| Long abstract | A reflection on general asynchrony as the condition of possibility of experience, with explicit reflections on Proust and Robert Kroetsch. |
| Page range | pp. 317–323 |
| Print length | 7 pages |
| Language | English (Original) |
| Keywords |
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Sean Gurd is a professor in the Department of Classics at the University of Texas at Austin. He has written four monographs: Iphigenias at Aulis: Textual Multiplicity, Radical Philology (2006); Work in Progress: Literary Revision as Social Performance in Ancient Rome (2012); Dissonance: Auditory Aesthetics in Ancient Greece (2016); and The Origins of Music Theory in the Age of Plato (2019). He also edited Philology and Its Histories (2010), and co-edited ’Pataphilology, an Irreader (2018) with Vincent W.J. van Gerven Oei. With Pauline LeVen he edited the Bloomsbury Cultural History of Western Music in Antiquity (2023). He is an editor of Tangent, an imprint of punctum books dedicated to publishing innovative books and projects that touch on classical antiquity and director of the Ancient Music and Performance Lab at the University of Texas at Austin.