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The Before and the After: Critical Asynchrony Now

Metadata
TitleThe Before and the After
SubtitleCritical Asynchrony Now
ContributorSean Gurd (editor)
Mario Telò(editor)
DOIhttps://doi.org/10.53288/0446.1.00
Landing pagehttps://punctumbooks.com/titles/the-before-and-the-after-critical-asynchrony-now/
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
CopyrightMario Telò and Sean Gurd
Publisherpunctum books
Publication placeEarth, Milky Way
Published on2025-01-29
ISBN978-1-68571-198-6 (Paperback)
978-1-68571-199-3 (PDF)
Long abstractBetween 2020 and 2021, in the depths of the Covid-19 pandemic, the thirteen authors included in The Before and the After: Critical Asynchrony Now turned to reflections on the late work of Jacques Derrida in an attempt to think through the temporal disjunctions imposed by the global emergency. They found themselves thinking through ideas and philosophical tropes that had been in vogue more than twenty years earlier — as though a deep theoretical nostalgia could somehow rescue them from the moment that beset them. As a belated turn to Derrida’s late work, The Before and the After provides a series of visions of what we might become, in our engagements with the past — both the contemporary and ancient past — in our occupation of every fractured “now.” This book is a document of a moment now largely (hopefully) behind us and an attempt to imagine what remains to come.
Print length380 pages
LanguageEnglish (Original)
Dimensions127 x 22 x 203 mm | 5" x 0.86" x 8" (Paperback)
Weight490g | 17.28oz (Paperback)
LCCN2024945618
THEMA
  • QDHR7
  • DBSG
  • DSA
BISAC
  • PHI027000
  • LIT004190
  • LIT006000
Keywords
  • anachronism
  • Jacques Derrida
  • lateness
  • late style
  • classics
  • futurology
  • archives
Contributors

Sean Gurd

(editor)
professor in the Department of Classics at The University of Texas at Austin

Sean Gurd is a professor in the Department of Classics at the University of Texas at Austin. He has written four monographs: Iphigenias at Aulis: Textual Multiplicity, Radical Philology (2006); Work in Progress: Literary Revision as Social Performance in Ancient Rome (2012); Dissonance: Auditory Aesthetics in Ancient Greece (2016); and The Origins of Music Theory in the Age of Plato (2019). He also edited Philology and Its Histories (2010), and co-edited ’Pataphilology, an Irreader (2018) with Vincent W.J. van Gerven Oei. With Pauline LeVen he edited the Bloomsbury Cultural History of Western Music in Antiquity (2023). He is an editor of Tangent, an imprint of punctum books dedicated to publishing innovative books and projects that touch on classical antiquity and director of the Ancient Music and Performance Lab at the University of Texas at Austin.

Mario Telò

(editor)
Professor of Rhetoric, Comparative Literature, and Ancient Greek and Roman Studies at University of California, Berkeley
https://orcid.org/0000-0001-9822-1984

Mario Telò is Professor of Rhetoric, Comparative Literature, and Ancient Greek and Roman Studies at University of California, Berkeley. He is the author of Aristophanes and the Cloak of Comedy: Affect, Aesthetics and the Canon (2016); Archive Feelings: A Theory of Greek Tragedy (2020); Greek Tragedy in a Global Crisis: Reading through Pandemic Times (2023); Resistant Form: Aristophanes and the Comedy of Crisis (2023); Judith Butler and the Ethics of Greek Tragedy (2024), and the forthcoming Roman Comedy against the Subject and Edward Said and the Late Animal: The Queer Politics of Greco-Roman Style. He is also the co-editor of Greek Comedy and the Discourse of Genres (2013); The Materialities of Greek Tragedy (2018); Queer Euripides (2022); Radical Formalisms (2023); and Niobes: Antiquity, Modernity, Critical Theory (2024)

References