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  3. 6. Analysing Represented Beings: An Anthropological Heuristic
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Analysing Represented Beings: An Anthropological Heuristic

  • Jens Eder(author)
Chapter of: Characters in Film and Other Media: Theory, Analysis, Interpretation(pp. 211–288)
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Title Analysing Represented Beings
SubtitleAn Anthropological Heuristic
ContributorJens Eder(author)
DOIhttps://doi.org/10.11647/obp.0283.06
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0283/chapters/10.11647/obp.0283.06
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightJens Eder;
PublisherOpen Book Publishers
Published on2025-07-29
Long abstract

Chapter 6 provides a detailed framework for the systematic analysis of characters as represented beings, summarising concepts from several disciplines in a heuristic model. The properties of characters as human, non- or superhuman beings are organised into four large dimensions: corporeality, psyche, sociality, and behaviour. Corporality includes external appearance, facial expressions, gestures, postures, movement, verbal behaviour, and physical interactions with the environment. Sociality can be described using sociological concepts of interactions and relations, groups, roles, values, norms, identities, and power structures. The psyche of characters encompasses relatively stable personality traits as well as fleeting perceptions, cognitions, emotions, evaluations, and motivations. When analysing the psyche of characters, several approaches can be used that lead to different results. Depending on the aims of the analysis, folk psychology may be used for an intuitive understanding, historically specific ideas to take cultural contexts into account, or contemporary sciences of the mind, including cognitive science, psychoanalysis, or personality psychology, for more nuanced interpretations. Rick Blaine from Casablanca serves as a key example in this chapter and is analysed in terms of his physical, social, mental, and behavioural characteristics. Finally, the chapter outlines how characters' transformations can affect thematic depth and audience engagement, demonstrating the dynamic nature of characters in both narrative and reception.

Page rangepp. 211–288
Print length78 pages
LanguageEnglish (Original)
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PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0283/chapters/10.11647/obp.0283.06Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0283.06.pdfFull text URL
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0283/chapters/10.11647/obp.0283.06Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0283/ch6a.xhtmlFull text URLPublisher Website
Contributors

Jens Eder

(author)
Professor of Dramaturgy and Aesthetics at Film University Babelsberg
https://orcid.org/0000-0003-1937-5999
https://www.filmuniversitaet.de/portrait/person/jens-eder

Jens Eder is Professor of Dramaturgy and Aesthetics at Film University Babelsberg in Potsdam, Germany. His research focuses on the intersections of audiovisual media, narrative, and society. He has published books and articles on narrative theory, characters, emotions, political documentaries, video activism on social media, and image operations in societal conflicts. Currently he is heading the research group ‘Film as a Catalyst of Social Transformation’, which investigates the impact of engaged films.

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