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  3. 10. Character Constellations as Social and Aesthetic Systems
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Character Constellations as Social and Aesthetic Systems

  • Jens Eder(author)
Chapter of: Characters in Film and Other Media: Theory, Analysis, Interpretation(pp. 427–476)
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Title Character Constellations as Social and Aesthetic Systems
ContributorJens Eder(author)
DOIhttps://doi.org/10.11647/obp.0283.10
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0283/chapters/10.11647/obp.0283.10
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightJens Eder;
PublisherOpen Book Publishers
Published on2025-07-29
Long abstract

Chapter 10 examines the character constellation as a complex network that encompasses various kinds of social and aesthetic relations between characters. Major, secondary, and minor characters are positioned in a hierarchy of attention determined by factors such as screen time and narrative focus. In the context of plots and conflicts, characters take on certain functional roles, e.g. as protagonist, antagonist, or helper. At the same time, characters and their traits are orchestrated in such a way that their analogies and contrasts evoke certain evaluative interpretations and affective reactions in the audience. In particular, the distribution of moral and aesthetic values within the constellation of characters, as well as their association with certain social groups, affects their appraisal and thematic interpretations. Case studies on Imitation of Life, Casablanca, and other films show how the positioning of characters in a constellation creates multi-layered networks of social relationships and thematic meaning. Based on these distinctions, the chapter outlines various prototypical character constellations that have emerged in mainstream and arthouse cinema. The chapter concludes with analytical questions on stereotyping in character constellations that encourage a critical examination of the representation of social groups.

Page rangepp. 427–476
Print length50 pages
LanguageEnglish (Original)
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Landing PageFull text URLPlatform
PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0283/chapters/10.11647/obp.0283.10Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0283.10.pdfFull text URL
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0283/chapters/10.11647/obp.0283.10Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0283/ch10.xhtmlFull text URLPublisher Website
Contributors

Jens Eder

(author)
Professor of Dramaturgy and Aesthetics at Film University Babelsberg
https://orcid.org/0000-0003-1937-5999
https://www.filmuniversitaet.de/portrait/person/jens-eder

Jens Eder is Professor of Dramaturgy and Aesthetics at Film University Babelsberg in Potsdam, Germany. His research focuses on the intersections of audiovisual media, narrative, and society. He has published books and articles on narrative theory, characters, emotions, political documentaries, video activism on social media, and image operations in societal conflicts. Currently he is heading the research group ‘Film as a Catalyst of Social Transformation’, which investigates the impact of engaged films.

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