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Sensing Violence: Reading with the Marquis de Sade

  • Will McMorran (author)
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Metadata
TitleSensing Violence
SubtitleReading with the Marquis de Sade
ContributorWill McMorran (author)
DOIhttps://doi.org/10.11647/OBP.0488
Landing pagehttps://www.openbookpublishers.com/books/10.11647/OBP.0488
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightWill McMorran;
PublisherOpen Book Publishers
Publication placeCambridge, UK
Published on2025-09-24
ISBN978-1-80511-696-7 (Paperback)
978-1-80511-697-4 (Hardback)
978-1-80511-698-1 (PDF)
978-1-80511-700-1 (HTML)
978-1-80511-699-8 (EPUB)
Short abstract

What does reading fictional violence do to us as readers? To find out, this provocative and original book turns to the works of an author synonymous with sexual violence: the Marquis de Sade. Drawing on psychology, cognitive literary studies, and empirical research, it argues that reading is a fundamentally embodied act – and one that implicates us far more than we might like to think in fictional depictions of violence.

Long abstract

What does reading fictional violence do to us as readers? To find out, this provocative and original book turns to the works of an author synonymous with sexual violence: the Marquis de Sade. Drawing on psychology, cognitive literary studies, and empirical research, it argues that reading is a fundamentally embodied act – and one that implicates us far more than we might like to think in fictional depictions of violence.

This book turns not just to Sade for answers, but to his readers. Where previous studies have focussed either on Sade’s language or his philosophy, this one places the lived experience of actual readers at the heart of its investigations. Taking particular scenes from Sade’s fiction, from a young girl posing as a statue in ‘Eugénie de Franval’ to the brutal rape of the heroine of Justine, this book explores what happens not just on the page but in the minds and bodies of readers as they bring these scenes to life.

Drawing on questionnaires completed by readers of those scenes, and on his own experience as a reader, teacher and translator of Sade, the author challenges the disembodied approach that has dominated Sade studies and literary criticism more broadly over recent decades. This is not just a book about Sade—it’s a radical exploration of what happens to us when we are confronted with scenes of violence. Urgent, accessible, and personal, it offers a new model for understanding reading as a matter of making sensations as well as making sense.

Print length266 pages (xiv+252)
LanguageEnglish (Original)
Dimensions156 x 18 x 234 mm | 6.14" x 0.71" x 9.21" (Paperback)
156 x 22 x 234 mm | 6.14" x 0.87" x 9.21" (Hardback)
Weight511g | 18.02oz (Paperback)
683g | 24.09oz (Hardback)
Media6 illustrations
OCLC Number1540663962
LCCN2025465565
THEMA
  • DSB
  • DSK
  • DSBH
  • JBFK
  • JMR
BISAC
  • LIT004150
  • LIT025000
  • LIT007000
  • LIT004290
  • PSY008000
  • SOC051000
LCC
  • PQ2063.S3
Keywords
  • Marquis de Sade
  • Embodied Cognition
  • Violence
  • Pedagogy
  • Translation Studies
  • Pornography
Funding
  • Queen Mary, University of London
Contents

Introduction

(pp. 1–26)
  • Will McMorran

Looking and Touching with Eugénie

(pp. 27–82)
  • Will McMorran

Hearing and Feeling with Justine

(pp. 83–136)
  • Will McMorran

Translating with Sade

(pp. 137–174)
  • Will McMorran

Teaching with Sade

(pp. 175–208)
  • Will McMorran

Conclusion

(pp. 209–218)
  • Will McMorran
Locations
Landing PageFull text URLPlatform
Paperbackhttps://www.openbookpublishers.com/books/10.11647/obp.0488Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0488Full text URLPublisher Website
Hardbackhttps://www.openbookpublishers.com/books/10.11647/obp.0488Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0488Full text URLPublisher Website
PDFhttps://books.openbookpublishers.com/10.11647/obp.0488Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0488.pdfFull text URLPublisher Website
https://library.oapen.org/handle/20.500.12657/106168Landing pagehttps://library.oapen.org/bitstream/handle/20.500.12657/106168/9781805116981.pdf?sequence=1&isAllowed=yFull text URLOAPEN
https://thoth-arch.lib.cam.ac.uk/handle/1811/907Landing pagehttps://thoth-arch.lib.cam.ac.uk/bitstreams/ec662597-3379-44bf-bf25-ba00b60c017c/downloadFull text URL
https://hdl.handle.net/2134/30293152Landing pagehttps://repository.lboro.ac.uk/ndownloader/files/58530751Full text URL
https://archive.org/details/d6dc2d29-c954-472c-8bc8-ee7a8f2399caLanding pagehttps://archive.org/download/d6dc2d29-c954-472c-8bc8-ee7a8f2399ca/d6dc2d29-c954-472c-8bc8-ee7a8f2399ca.pdfFull text URLINTERNET ARCHIVE
HTMLhttps://books.openbookpublishers.com/10.11647/obp.0488/Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0488/Full text URLPublisher Website
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Contributors

Will McMorran

(author)
Professor of French and Comparative Literature at Queen Mary, University of London

Will McMorran is Professor of French and Comparative Literature at Queen Mary University of London. He has published several articles and book chapters on Sade and the history of his reception, and has edited and translated two of his works: 'The 120 Days of Sodom' (2016) for Penguin Classics with Thomas Wynn, which was awarded the Scott Moncrieff Prize, and The Marquise de Gange (2021) for Oxford World’s Classics. His work as a translator has also included several stories for 'The Penguin Book of French Short Stories' (2022), and Philippe Brenot’s graphic history, 'The Story of Sex' (2016).

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