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Speaking Stones, John Muir, and a Slower (Non)Humanities
- Lowell Duckert (author)
Chapter of: Animal, Vegetable, Mineral: Ethics and Objects(pp. 273–279)
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Title | Speaking Stones, John Muir, and a Slower (Non)Humanities |
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Contributor | Lowell Duckert (author) |
DOI | https://doi.org/10.21983/P3.0006.1.12 |
Landing page | https://punctumbooks.com/titles/animal-vegetable-mineral-ethics-and-objects/ |
License | https://creativecommons.org/licenses/by-nc-sa/3.0/ |
Copyright | Duckert, Lowell |
Publisher | punctum books |
Published on | 2012-05-07 |
Long abstract | By the time you arrive at this point in the collection, you will have realized that the essays herein demand a slow reading. Perfect: the practice of tracing con-nections between actors, slowly, as Bruno Latour’s ant (or ANT, short for Actor Network Theory) would tell us, is the way to go. According to Latour’s self-defined “slowciology,” we are to follow the actors themselves—examining the relationships they assemble, interrupt, or disturb. Latour’s process is “agonizingly slow” by necessity.2 Yet in writing my response, I find myself running down a fast lane. The time when these authors first presented their work at the conference, “Animal, Vegetable, Mineral: Ethics and Objects in the Medieval and Early Modern Periods,” coincided with one of the most accelerated points in my doctoral career. Then as now, I was deep in my dissertation topic of eco-materialism: reconceiving early modern waterscapes as vibrant, living, actor-networks of (non)human desires and assemblages. Ecocriticism is a vast road to travel. And six months later, I was racing onto the job market. Do academics move too hastily? So let us slow down. My response will pick up on Eileen Joy’s idea of the humanist as a “slow recording device,” a being involved in a world of complication who also describes a world of co-implication, of sentience, becomings, and desires shared between actors inanimate and animate. What happens when we slow down, when we take the time to take these ethical steps seriously? |
Page range | pp. 273–279 |
Print length | 7 pages |
Language | English (Original) |
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