punctum books
The Renaissance Res Publica of Furniture
- Julia Reinhard Lupton(author)
Chapter of: Animal, Vegetable, Mineral: Ethics and Objects(pp. 211–236)
Export Metadata
- ONIX 3.0
- ThothCannot generate record: No publications supplied
- Project MUSECannot generate record: No BIC or BISAC subject code
- OAPENCannot generate record: Missing PDF URL
- JSTORCannot generate record: No BISAC subject code
- Google BooksCannot generate record: No BIC, BISAC or LCC subject code
- OverDriveCannot generate record: No priced EPUB or PDF URL
- Thoth
- ONIX 2.1
- EBSCO HostCannot generate record: No PDF or EPUB URL
- ProQuest EbraryCannot generate record: No PDF or EPUB URL
- EBSCO Host
- CSV
- JSON
- OCLC KBART
- BibTeX
- CrossRef DOI depositCannot generate record: This work does not have any ISBNs
- MARC 21 RecordCannot generate record: MARC records are not available for chapters
- MARC 21 MarkupCannot generate record: MARC records are not available for chapters
- MARC 21 XMLCannot generate record: MARC records are not available for chapters
Title | The Renaissance Res Publica of Furniture |
---|---|
Contributor | Julia Reinhard Lupton(author) |
DOI | https://doi.org/10.21983/P3.0006.1.10 |
Landing page | https://punctumbooks.com/titles/animal-vegetable-mineral-ethics-and-objects/ |
License | https://creativecommons.org/licenses/by-nc-sa/3.0/ |
Copyright | Lupton, Julia Reinhard |
Publisher | punctum books |
Published on | 2012-05-07 |
Long abstract | Is the Renaissance joint-stool zany, interesting, or cute? These are the categories put forward by Sianne Ngai in order to capture our contemporary experience of all things cultural, from ninja bunnies to crowdsourced dreams:The interesting, cute, and zany index—and are thus each in a historically concrete way about—capitalism’s most socially binding processes: production, in the case of the zany (an aesthetic about performance as not just artful play but also affective labor); cir-culation, in the case of the interesting (a serial, recursive aesthetic of informational relays and communicative exchange); and consumption, in the case of the cute (an aesthetic disclosing the surprisingly wide spectrum of feelings, ranging from tenderness to aggression, that we harbor towards ostensibly subordinate and unthreatening commodities). |
Page range | pp. 211–236 |
Print length | 26 pages |
Language | English (Original) |
Contributors