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  2. Touching Parchment: How Medieval Users Rubbed, Handled, and Kissed Their Manuscripts
  3. Conclusion
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Conclusion

  • Kathryn M. Rudy(author)
Chapter of: Touching Parchment: How Medieval Users Rubbed, Handled, and Kissed Their Manuscripts: Volume 2: Social Encounters with the Book(pp. 305–328)
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Metadata
TitleConclusion
ContributorKathryn M. Rudy(author)
DOIhttps://doi.org/10.11647/obp.0379.06
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0379/chapters/10.11647/obp.0379.06
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightKathryn M. Rudy
PublisherOpen Book Publishers
Published on2024-09-12
Long abstractThe final chapter considers the social significance of book handling in medieval manuscripts, highlighting models of gesture transmission that fostered social bonds. These models include ritualistic actions required by religious scripts, behaviors modeled by authorities, and behaviors shaped by figures such as teachers. These are all vertical forms of behavior transmission. Horizontal forms include haptic habits that transfer across contexts (at a macro level), and members of peer groups who emulate each other’s behavior (at a micro level). Finally, some interactions are dictated by the physical demands of the book object itself. The study has emphasized the physicality of medieval book interaction, where filling in blanks or adding inscriptions was not just a clerical task but a socially binding act, connecting the past with the future through living continuity. The text investigates the ritualized nature of book handling, with authority figures modeling book interaction that trickled down through social hierarchies, becoming embedded in various rituals and thereby spreading to broader lay and religious communities. A manuscript's marks of wear provide historical evidence of its use, supporting the argument that certain gestures, like touching book initials, had social and performative roles, enhancing the experiential aspect of reading and group participation. The chapter posits that touching an initial could signify the initiation of reading, veneration, or a demonstration to an audience. It proposes that these gestures, while evolving over time and contexts, have left enduring marks on the physical and cultural fabric of book history. In the afterword, the author invites alternate interpretations and evidence, aiming to deepen the understanding of medieval manuscript reception and user interaction. The legacy of these book-touching behaviors persists in contemporary rituals, such as oath-taking, albeit with modern adaptations reflecting current societal norms and knowledge, such as hygiene concerns or secular values.
Page rangepp. 305–328
Print length24 pages
LanguageEnglish (Original)
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PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0379/chapters/10.11647/obp.0379.06Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0379.06.pdfFull text URL
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0379/chapters/10.11647/obp.0379.06Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0379/conclusion.xhtmlFull text URLPublisher Website
Contributors

Kathryn M. Rudy

(author)
Professor in art history at University of St Andrews
https://orcid.org/0000-0002-1633-7607
https://www.st-andrews.ac.uk/art-history/people/kmr7/

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  • ONIX 3.1
  • ONIX 3.0
    • Thoth
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
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  • ONIX 2.1
    • EBSCO Host
    • ProQuest Ebrary
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  • CrossRef DOI deposit
    Cannot generate record: This work does not have any ISBNs
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  • MARC 21 Markup
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  • MARC 21 XML
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