Skip to main content
Open Book Publishers

1. Iannis Xenakis’s Theater Studies: An Unknown Aspect of the Composer’s Life during the Occupation

  • Nikos Ioakeim (author)

Export Metadata

  • ONIX 3.0
    • Thoth
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
    • OverDrive
      Cannot generate record: No priced EPUB or PDF URL
  • ONIX 2.1
  • CSV
  • JSON
  • OCLC KBART
  • BibTeX
  • CrossRef DOI deposit
    Cannot generate record: This work does not have any ISBNs
  • MARC 21 Record
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 Markup
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 XML
    Cannot generate record: MARC records are not available for chapters
Metadata
Title1. Iannis Xenakis’s Theater Studies
SubtitleAn Unknown Aspect of the Composer’s Life during the Occupation
ContributorNikos Ioakeim (author)
DOIhttps://doi.org/10.11647/obp.0390.03
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0390/chapters/10.11647/obp.0390.03
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightNikos Ioakeim
PublisherOpen Book Publishers
Published on2024-10-09
Long abstractIt is widely recognized that Xenakis’s war experiences during the Occupation years in Athens were crucial for his later life and work. What is not known, however, is that, in addition to studying at the Polytechnic and participating in the Resistance, Xenakis also attended a singular drama school named ‘Theatriko Spoudastirio’ that was founded by the philologist, writer, and Shakespearean translator Vassilis Rotas (1889-1977). Prominent figures of Greek cultural life taught in this school, which also functioned as an undercover Resistance meeting point, since its students included hundreds of members of the United Panhellenic Youth Organization (EPON), the youth wing of the National Liberation Front (EAM), including Xenakis. As though putting the pieces of a puzzle together, this article attempts to bring to light Xenakis’s early theater studies through recently unearthed sources and the composer’s own rare references, and to also point out an elective affinity between Xenakis’s later treatment of ancient Greek tragedy and the ideas of his former teacher, Vassilis Rotas.
Page rangepp. 29–38
Print length10 pages
LanguageEnglish (Original)
Contributors

Nikos Ioakeim

(author)

Nikos Ioakeim studied musicology and philosophy in Athens, and composition in the Netherlands and Belgium. He is researching the life and work of Xenakis since 2011: he has conducted research in the composer’s archives (2016–19) and has also recorded interviews with around one hundred Greek acquaintances of Xenakis, preserving their testimonies (2014–19). A monograph on the titles of the composer’s musical works is under preparation. Ioakeim regularly delivers talks about Xenakis in various symposia internationally.