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Introduction to Part III: Challenges and Opportunities of Music Performance Education in Society

  • Helen Julia Minors(author)
Chapter of: Teaching Music Performance in Higher Education: Exploring the Potential of Artistic Research(pp. 221–224)
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TitleIntroduction to Part III
SubtitleChallenges and Opportunities of Music Performance Education in Society
ContributorHelen Julia Minors(author)
DOIhttps://doi.org/10.11647/obp.0398.11
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0398/chapters/10.11647/obp.0398.11
Licensehttps://creativecommons.org/licenses/by-nc/4.0/
CopyrightHelen Julia Minors
PublisherOpen Book Publishers
Published on2024-05-27
Page rangepp. 221–224
Print length4 pages
LanguageEnglish (Original)
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PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0398/chapters/10.11647/obp.0398.11Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0398.11.pdfFull text URL
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0398/chapters/10.11647/obp.0398.11Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0398/part3.xhtmlFull text URLPublisher Website
Contributors

Helen Julia Minors

(author)
Professor and Head of School of the Arts at York St John University
https://orcid.org/0000-0002-0212-9030

Helen Julia Minors is Professor and Head of School of the Arts at York St John University. She is also a Visiting Professor at Lulea Technical University. She was founder and original co-chair of EDI Music Studies Network. Her publications include Routledge Companion to Women's Musical; Leadership (Routledge, 2024) co-edited with Laura Hamer, Music, Dance and Translation (Bloomsbury, 2023), Artistic Research in Performance through Collaboration, co-edited with Martin Blain (Palgrave, 2020), Paul Dukas: Legacies of a French Musician, co-edited with Laura Watson (Routledge, 2019), Building Intercultural and Interdisciplinary Bridges: Where Theory Meets Research and Practice, co-edited with Pamela Burnard et al (BIBACC, 2017), and Music, Text and Translation (Bloomsbury, 2013). Recent articles and chapters have also appeared in the London Review of Education (2017/2019), Translation and Multimodality (Routledge, 2019), Opera and Translation (John Benjamins, 2020), Tibon (2022), Intersemiotic Perspectives on Emotions (2023) and Routledge Companion to Applied Musicology (2023).

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