| Title | Introduction to Part III |
|---|---|
| Subtitle | Challenges and Opportunities of Music Performance Education in Society |
| Contributor | Helen Julia Minors(author) |
| DOI | https://doi.org/10.11647/obp.0398.11 |
| Landing page | https://www.openbookpublishers.com/books/10.11647/obp.0398/chapters/10.11647/obp.0398.11 |
| License | https://creativecommons.org/licenses/by-nc/4.0/ |
| Copyright | Helen Julia Minors |
| Publisher | Open Book Publishers |
| Published on | 2024-05-27 |
| Page range | pp. 221–224 |
| Print length | 4 pages |
| Language | English (Original) |
Helen Julia Minors is Professor and Head of School of the Arts at York St John University. She is also a Visiting Professor at Lulea Technical University. She was founder and original co-chair of EDI Music Studies Network. Her publications include Routledge Companion to Women's Musical; Leadership (Routledge, 2024) co-edited with Laura Hamer, Music, Dance and Translation (Bloomsbury, 2023), Artistic Research in Performance through Collaboration, co-edited with Martin Blain (Palgrave, 2020), Paul Dukas: Legacies of a French Musician, co-edited with Laura Watson (Routledge, 2019), Building Intercultural and Interdisciplinary Bridges: Where Theory Meets Research and Practice, co-edited with Pamela Burnard et al (BIBACC, 2017), and Music, Text and Translation (Bloomsbury, 2013). Recent articles and chapters have also appeared in the London Review of Education (2017/2019), Translation and Multimodality (Routledge, 2019), Opera and Translation (John Benjamins, 2020), Tibon (2022), Intersemiotic Perspectives on Emotions (2023) and Routledge Companion to Applied Musicology (2023).