Women and Migration(s) II
- Kalia Brooks (editor)
- Cheryl Finley (editor)
- Ellyn Toscano (editor)
- Deborah Willis (editor)
Title | Women and Migration(s) II |
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Contributor | Kalia Brooks (editor) |
Cheryl Finley (editor) | |
Ellyn Toscano (editor) | |
Deborah Willis (editor) | |
DOI | https://doi.org/10.11647/OBP.0296 |
Landing page | https://www.openbookpublishers.com/books/10.11647/obp.0296 |
License | https://creativecommons.org/licenses/by-nc/4.0/ |
Copyright | Kalia Brooks Nelson; Cheryl Finley; Ellyn Toscano; Deborah Willis; |
Publisher | Open Book Publishers |
Publication place | Cambridge, UK |
Published on | 2022-11-14 |
Book set | This book is part of a 2-volume set. The other volume in the set is: |
ISBN | 978-1-80064-708-4 (Paperback) |
978-1-80064-709-1 (Hardback) | |
978-1-80064-710-7 (PDF) | |
978-1-80064-714-5 (HTML) | |
978-1-80064-713-8 (XML) | |
978-1-80064-711-4 (EPUB) | |
978-1-80064-712-1 (AZW3) | |
Short abstract | Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists’ statements to journalistic and critical essays. The collection shows how women’s experiences of migration have been articulated through art, film, poetry and even food. |
Long abstract | Women and Migration(s) II draws together contributions from scholars and artists showcasing the breadth of intersectional experiences of migration, from diaspora to internal displacement. Building on conversations initiated in Women and Migration: Responses in Art and History, this edited volume features a range of written styles, from memoir to artists’ statements to journalistic and critical essays. The collection shows how women’s experiences of migration have been articulated through art, film, poetry and even food. This varied approach aims to aid understanding of the lived experiences of home, loss, family, belonging, isolation, borders and identity—issues salient both in experiences of migration and in the epochal times in which we find ourselves today. These are stories of trauma and fear, but also stories of the strength, perseverance, hope and even joy of women surviving their own moments of disorientation, disenfranchisement and dislocation. This collection engages with current issues in an effort to deepen understanding, encourage ongoing reflection and build a more just future. It will appeal to artists and scholars of the humanities, social sciences, and public policy, as well as general readers with an interest in women’s experiences of migration. |
Print length | 406 pages (xxiv+382) |
Language | English (Original) |
Dimensions | 156 x 28 x 234 mm | 6.14" x 1.1" x 9.21" (Paperback) |
156 x 32 x 234 mm | 6.14" x 1.26" x 9.21" (Hardback) | |
Weight | 767g | 27.06oz (Paperback) |
945g | 33.33oz (Hardback) | |
Media | 128 illustrations |
LCCN | 2021386019 |
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Introduction
(pp. 1–4)- Kalia Brooks
- Deborah Willis
- Ellyn Toscano
- Cheryl Finley
1. Carry Over
(pp. 9–18)- Sama Alshaibi
2. Marie Louise Christophe
(pp. 19–22)- Firelei Báez
3. Astral Sea
(pp. 23–28)- Tsedaye Makonnen
4. Maid in the USA
(pp. 29–30)- Carolina Mayorga
5. Rapture
(pp. 31–32)- Shirin Neshat
6. Blessing of the Boats
(pp. 33–36)- Muna Malik
7. Island Putas
(pp. 37–42)- Gabriella N. Báez
- Leslie King-Hammond
9. Notes from an Undisclosed Location: Someplace in the Mojave Desert, California, United States
(pp. 47–52)- Brandy Dyess
10. Of Bodies and Borders
(pp. 53–56)- Maria Elena Ortiz
11. Sweet Milk in the Badlands
(pp. 57–60)- Allison Janae Hamilton
- Patricia Cronin
13. From a Hot Border
(pp. 67–68)- Hồng-Ân Trương
14. NormaNamesake/The Choice
(pp. 69–72)- Nashormeh N.R. Lindo
15. Refugees
(pp. 75–76)- Ifrah Mahamud Magan
- Kalia Brooks
17. Radically Sustained Care: Chandra McCormick’s Katrina Displacement as a Mother and an Artist
(pp. 87–98)- Hannah Ryan
- Deborah Willis
- Arlene Dávila
20. Joy Gregory: A Woman on the Go!
(pp. 117–134)- Cheryl Finley
21. Reading against the Grain of the Black Madonna: Black Motherhood, Race and Religion
(pp. 135–154)- Yelaine Rodriguez
- Debora Spini
23. Requiem for a Drink of Water
(pp. 165–166)- Bryn Evans
- Arielsela Holdbrook-Smith
- Heike Raphael-Hernandez
26. Telling the Story of a Global Pandemic: African Wax Prints, Style, Beauty and COVID-19 in Ghana, West Africa
(pp. 181–194)- Paulette Young
27. The Empathy Exodus
(pp. 195–202)- Esther Armah
- Roshini Kempadoo
- Jennifer Clement
- Sarah K. Khan
31. Instants: Fragments of Return
(pp. 233–238)- Hande Gurses
- Sirpa Salenius
33. Optical Self(s): Métis Women’s Authorship Regarding Conception of Self in Pre-Independence Senegal
(pp. 249–258)- Summer Sloane-Britt
- Gunja SenGupta
- Michelle Lanier
- Bettina Gockel
37. Mom Rose
(pp. 297–304)- Melvina Lathan
38. She Carried with Her Neither Memory Nor Archive
(pp. 305–312)- Ellyn Toscano
- Terri Geis
- Von Diaz
41. How to Look at Silence
(pp. 347–346)- Nohora Arrieta
Kalia Brooks
(editor)Kalia Brooks, PhD, is a New York based independent curator, educator and writer. Brooks is currently an Adjunct Professor in the Department of Photography and Imaging at New York University’s Tisch School of the Arts. Brooks holds a Ph.D. in Aesthetics and Art Theory from the Institute for Doctoral Studies in the Visual Arts. She received her M.A. in Curatorial Practice from the California College of the Arts in 2006, and was a Helena Rubinstein Fellow in Critical Studies at the Whitney Independent Study Program 2007/2008. She has served as a consulting curator with the City of New York through the Department of Cultural Affairs and Gracie Mansion Conservancy. Brooks is also currently an ex-officio trustee on the Board of the Museum of the City of New York.
Cheryl Finley
(editor)Ellyn Toscano
(editor)Ellyn Toscano is Executive Director of New York University Florence. She directs NYU’s Villa La Pietra, a fifteenth-century villa and collection of six thousand objects dating from the Etruscans to the twentieth century. She founded and directs La Pietra Dialogues, a year-long series of conferences and talks, and founded and produces The Season, a summer cultural festival in the Villa’s expansive gardens. Before arriving at NYU Florence, Toscano served as Chief of Staff and Counsel to Congressman Jose Serrano of New York, was his chief policy advisor and directed his work on the Appropriations Committee. Toscano also served as counsel to the New York State Assembly Committee on Education for nine years. She has served on the boards of several prominent arts and cultural institutions including the Bronx Museum of the Arts and the Brooklyn Academy of Music (as the representative of the Brooklyn Borough President). In Italy, she serves on the board of the Museo Marino Marini in Florence, and the Italian Advisory Council of the Civitella Ranieri Foundation. A lawyer by training, Toscano earned an LLM in International Law from New York University School of Law.
Deborah Willis
(editor)Deborah Willis, PhD, is University Professor and Chair of the Department of Photography & Imaging at the Tisch School of the Arts at New York University and has an affiliated appointment with the Department of Social & Cultural Analysis, Africana Studies, where she teaches courses on photography and imaging, iconicity, and cultural histories visualizing the black body, women, and gender. Her research examines photography’s multifaceted histories, visual culture, the photographic history of Slavery and Emancipation, contemporary women photographers and beauty. She received the John D. and Catherine T. MacArthur Fellowship and was a Richard D. Cohen Fellow in African and African American Art, Hutchins Center, Harvard University and a John Simon Guggenheim Fellow. Professor Willis received the NAACP Image Award in 2014 for her co-authored book Envisioning Emancipation. Other notable projects include Reflections in Black: A History of Black Photographers – 1840 to the Present, Posing Beauty: African American Images from the 1890s to the Present, Michelle Obama: The First Lady in Photographs, an NAACP Image Award Literature Winner.