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From Darkness to Light: Writers in Museums 1798-1898 - cover image
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From Darkness to Light: Writers in Museums 1798-1898

  • Rosella Mamoli Zorzi(editor)
  • Katherine Manthorne (editor)
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Metadata
TitleFrom Darkness to Light
SubtitleWriters in Museums 1798-1898
ContributorRosella Mamoli Zorzi(editor)
Katherine Manthorne (editor)
DOIhttps://doi.org/10.11647/OBP.0151
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0151
Licensehttp://creativecommons.org/licenses/by/4.0/
CopyrightRosella Mamoli Zorzi; Katherine Manthorne
PublisherOpen Book Publishers
Publication placeCambridge, UK
Published on2019-03-12
ISBN978-1-78374-549-4 (Paperback)
978-1-78374-550-0 (Hardback)
978-1-78374-551-7 (PDF)
978-1-80064-570-7 (HTML)
978-1-78374-723-8 (XML)
978-1-78374-552-4 (EPUB)
978-1-78374-553-1 (MOBI)
Short abstractWritten by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions.
Long abstractFrom Darkness to Light explores from a variety of angles the subject of museum lighting in exhibition spaces in America, Japan, and Western Europe throughout the nineteenth and twentieth centuries. Written by an array of international experts, these collected essays gather perspectives from a diverse range of cultural sensibilities. From sensitive discussions of Tintoretto’s unique approach to the play of light and darkness as exhibited in the Scuola Grande di San Rocco in Venice, to the development of museum lighting as part of Japanese artistic self-fashioning, via the story of an epic American painting on tour, museum illumination in the work of Henry James, and lighting alterations at Chatsworth (to name only a few topics) this book is a treasure trove of illuminating contributions. The collection is at once a refreshing insight for the enthusiastic museum-goer, who is brought to an awareness of the exhibit in its immediate environment, and a wide-ranging scholarly compendium for the professional who seeks to proceed in their academic or curatorial work with a more enlightened sense of the lighted space.
Print length392 pages (xviii+374)
LanguageEnglish (Original)
Dimensions156 x 27 x 234 mm | 6.14" x 1.07" x 9.21" (Paperback)
156 x 30 x 234 mm | 6.14" x 1.19" x 9.21" (Hardback)
Weight1636g | 57.71oz (Paperback)
2033g | 71.71oz (Hardback)
Media44 illustrations
1 table
OCLC Number1107380784
LCCN2019452878
BIC
  • WTHM
  • A
  • AB
  • AG
BISAC
  • ART000000
  • ART059000
  • ARC007010
LCC
  • NK2115.5.L5
Keywords
  • museum lighting
  • exhibition spaces
  • America
  • Japan
  • Western Europe
  • nineteenth century
  • twentieth century
Contents

1. Tintoretto: An Unexpected Light. Lightnings, Haloes, Embers and Other Glowing Lights

(pp. 9–24)
  • Melania G. Mazzucco

2. The Artificial Lighting Available to European and American Museums,1800-1915

(pp. 25–40)
  • David E. Nye

3. Tintoretto in San Rocco Between Light and Darkness

(pp. 43–52)
  • Maria Agnese Chiari Moretto Wiel

4. John Ruskin and Henry James in the Enchanting Darkness of the Scuola Grande di San Rocco

(pp. 53–70)
  • Rosella Mamoli Zorzi

5. Light at the Scuola Grande di San Rocco

(pp. 71–78)
  • Demetrio Sonaglioni

6. The Light in the Venice Ducal Palace

(pp. 79–86)
  • Camillo Tonini

7. Latent in Darkness: John Ruskin’s Virtual Guide to the Academy of Fine Arts in Venice

(pp. 87–98)
  • Emma Sdegno

8. Venice, Art and Light in French Literature: 1831-1916

(pp. 99–106)
  • Cristina Beltrami

9. One Hundred Gems of Light: The Peale Family Introduces Gaslight to America

(pp. 109–116)
  • Burton K. Kummerow

10. Illuminating the Big Picture: Frederic Church’s Heart of the Andes Viewed by Writers

(pp. 117–128)
  • Katherine Manthorne

11. Italian Genius in American Light: The James Jackson Jarves Collection at Yale

(pp. 129–140)
  • Kathleen Lawrence

12. Shedding Light on the History of Lighting at the Isabella Stewart Gardner Museum

(pp. 141–150)
  • Holly Salmon

13. Seeing Beauty: Light and Design at the Freer Gallery, ca.1923

(pp. 151–164)
  • Lee Glazer

14. Lighting up the Darkness: The National Gallery, London

(pp. 167–176)
  • Sarah Quill

15. Sir John Soane

(pp. 177–188)
  • Helen Dorey

16. Chatsworth, a Modern English Mansion

(pp. 189–200)
  • Marina Coslovi

17. Daylight and Gold: In the Galleries With Henry James

(pp. 201–210)
  • Paula Deitz

18. Remarks on Illumination in Nineteenth-Century American Travel Writings on Madrid’s Prado Museum

(pp. 211–220)
  • Pere Gifra-Adroher

19. To Look (and to See) in the Nineteenth Century: At the Uffizi and Elsewhere

(pp. 223–238)
  • Cristina Acidini

20. Ways of Perceiving: The Passionate Pilgrims’ Gaze in Nineteenth-Century Italy

(pp. 239–260)
  • Margherita Ciacci

21. 'In the Quiet Hours and the Deep Dusk, These Things too Recovered Their Advantage': Henry James on Light in European Museums

(pp. 261–270)
  • Joshua Parker

22. 'Shedding Light on Old Italian Masters': Timothy Cole's Series for The Century

(pp. 271–284)
  • Page S. Knox

23. 'Into the Broad Sunlight': Anne Hampton Brewster’s Chronicle of Gilded Age Rome

(pp. 285–294)
  • Adrienne Baxter Bell

24. In Praise of Shadows: Ernest Fenollosa and the Origins of Japanese Museum Culture

(pp. 297–306)
  • Dorsey Kleitz
  • Sandra Lucore

25. Premonitions: Shakespeare to James

(pp. 309–318)
  • Sergio Perosa

26. The Museum on Stage: From Plato’s Myth to Today’s Perception

(pp. 319–322)
  • Alberto Pasetti Bombardella

27. Time and Light

(pp. 323–332)
  • Antonio Foscari

Introduction: From Darkness to Light: Writers in Museums 1798–1898

(pp. 1–6)
  • Rosella Mamoli Zorzi
  • Katherine Manthorne
Locations
Landing PageFull text URLPlatform
Paperbackhttps://www.openbookpublishers.com/books/10.11647/obp.0151Landing pagePublisher Website
Hardbackhttps://www.openbookpublishers.com/books/10.11647/obp.0151Landing pagePublisher Website
PDFhttps://www.openbookpublishers.com/books/10.11647/obp.0151Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0151.pdfFull text URLPublisher Website
https://library.oapen.org/handle/20.500.12657/25247Landing pagehttps://library.oapen.org/bitstream/handle/20.500.12657/25247/9781783745517.pdf?sequence=1&isAllowed=yFull text URLOAPEN
https://directory.doabooks.org/handle/20.500.12854/39292Landing pageDOAB
https://thoth-arch.lib.cam.ac.uk/handle/1811/188Landing pagehttps://thoth-arch.lib.cam.ac.uk/bitstreams/cb2ba770-b7a4-4d8b-9476-6d12b7558fc5/downloadFull text URL
https://hdl.handle.net/2134/25966927Landing pagehttps://repository.lboro.ac.uk/ndownloader/files/46807906Full text URL
https://archive.org/details/3083819d-1084-418a-85d4-4f71c2fea139Landing pagehttps://archive.org/download/3083819d-1084-418a-85d4-4f71c2fea139/3083819d-1084-418a-85d4-4f71c2fea139.pdfFull text URLINTERNET ARCHIVE
HTMLhttps://www.openbookpublishers.com/books/10.11647/obp.0151Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0151/Full text URLPublisher Website
XMLhttps://www.openbookpublishers.com/books/10.11647/obp.0151Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0151.xml.zipFull text URLPublisher Website
https://hdl.handle.net/2134/25966930Landing pagehttps://repository.lboro.ac.uk/ndownloader/files/46807957Full text URL
EPUBhttps://www.openbookpublishers.com/books/10.11647/obp.0151Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0151.epubFull text URLPublisher Website
MOBIhttps://www.openbookpublishers.com/books/10.11647/obp.0151Landing pagehttps://books.openbookpublishers.com/10.11647/obp.0151.mobiFull text URLPublisher Website
Contributors

Rosella Mamoli Zorzi

(editor)
Professor of American Literature, Emeritus at Università Ca' Foscari di Venezia
https://orcid.org/0000-0002-2778-6168

Katherine Manthorne

(editor)
Professor of Art History, Graduate Center at City University of New York

UK registered social enterprise and Community Interest Company (CIC).

Company registration 14549556

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