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The White Horse Press

Multispecies Ethnography and Artful Methods

  • Andrea Petitt(editor)
  • Anke Tonnaer(editor)
  • Véronique Servais(editor)
  • Catrien Notermans(editor)
  • Natasha Fijn(editor)
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  • ONIX 3.1
  • ONIX 3.0
    • Thoth
    • Project MUSE
    • OAPEN
    • JSTOR
    • Google Books
    • OverDrive
      Cannot generate record: No priced EPUB or PDF URL
  • ONIX 2.1
    • EBSCO Host
    • ProQuest Ebrary
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TitleMultispecies Ethnography and Artful Methods
ContributorAndrea Petitt(editor)
Anke Tonnaer(editor)
Véronique Servais(editor)
Catrien Notermans(editor)
Natasha Fijn(editor)
DOIhttps://doi.org/10.63308/63878687083054.book
Landing pagehttps://www.whpress.co.uk/publications/2025/03/04/meam-2/
Licensehttps://creativecommons.org/licenses/by-nc-nd/4.0/
CopyrightAndrea Petitt; Anke Tonnaer; Véronique Servais; Catrien Notermans; Natasha Fijn
PublisherThe White Horse Press
Publication placeWinwick, Cambs., UK
Published on2025-07-01
ISBN978-1-912186-93-8 (Paperback)
978-1-912186-94-5 (PDF)
Short abstractMultispecies Ethnography and Artful Methods explores the potential of multimodal art practices in doing qualitative research beyond the human. Through artful endeavours such as creative writing, photography, filmmaking, drawing and poetry, the volume aims to overcome the shortcomings of conventional, anthropocentric and logocentric methods in multispecies research. To move beyond the limitations of language and linguistic communication, the contributors build on the long tradition of visual and sensory anthropology while also engaging in and consciously reflecting on innovative, creative and artistic methods. Taking a multispecies and more-than-human perspective – ranging from snow and trees to animals and an AI oracle – the volume investigates ways to touch, speak, listen, feel, walk with and reach across different species.
Long abstractMultispecies Ethnography and Artful Methods explores the potential of multimodal art practices in doing qualitative research beyond the human. Through artful endeavours such as creative writing, photography, filmmaking, drawing and poetry, the volume aims to overcome the shortcomings of conventional, anthropocentric and logocentric methods in multispecies research. To move beyond the limitations of language and linguistic communication, the contributors build on the long tradition of visual and sensory anthropology while also engaging in and consciously reflecting on innovative, creative and artistic methods. Taking a multispecies and more-than-human perspective – ranging from snow and trees to animals and an AI oracle – the volume investigates ways to touch, speak, listen, feel, walk with and reach across different species. This book and accompanying multimedia website advance the frontier of publishing artful expressions of academic research by highlighting how creative practices can be the very core of data collection, analysis and the communication of research. As such, the artful pieces are not ‘just’ illustrations of textual representations, but are practised as part of an iterative process of data collection and analysis.  The contributions by well-established scholars, early career researchers and postgraduates who carry out new, cutting-edge research offer an engaging range of analytical, methodological and empiric orientations, while conversing at the intersection of multispecies ethnography and artful methods.
Print length207 pages
LanguageEnglish (Original)
Dimensions215 x 229 mm | 8.46" x 9.02" (Paperback)
Media92 illustrations
3 videos
5 audio
THEMA
  • JHMC
  • WNC
BISAC
  • SOC002010
  • ART078000
  • NAT001000
Funding
  • Open Book Collective
  • Australian National University
  • Australian Research Council
  • Radboud University
  • University of Liège
Contents

Introduction

(pp. 26–42)
  • Andrea Petitt
  • Anke Tonnaer
  • Véronique Servais
  • Catrien Notermans
  • Natasha Fijn

1. WRITING A SONG FOR AIIA: SPECULATIVE FICTION IN AN ART-SCIENCE COLLABORATION

(pp. 44–62)
  • Catrien Notermans
  • Anke Tonnaer
  • Marcel van Brakel

2. EARTH SWIMMERS / ON CAPTURE: A PRACTICE- BASED ETHNOGRAPHY OF MOLE CATCHING AND FILM MAKING IN NORTH YORKSHIRE

(pp. 64–81)
  • Hermione Spriggs

3. THE SOUNDS OF SNOW: AN EXPLORATION OF HUMAN-SNOW RELATIONS IN ILULISSAT, KALAALLIT NUNAAT

(pp. 82–100)
  • Nanna Kisby

4. THE ENDURING PRESENCE OF THE EUCALYPTUS TREE: A PHOTO ESSAY

(pp. 101–118)
  • Natasha Fijn

5. ARTISTIC CO-DISCOVERY IN MULTISPECIES COLLABORATION

(pp. 120–139)
  • Angela Bartram
  • Lee Deigaard

6. ATTENDING TO FIREBUGS: ARTISTIC INVESTIGATIONS FOR RESPECTFUL CORRESPONDENCES

(pp. 140–155)
  • Charlotte Dorn

7. FARMING COWS AND WORMS

(pp. 156–167)
  • Simone de Boer
  • Hanna Charlotta Wernersson

8. TO TOUCH LIGHTLY IN PASSING

(pp. 168–178)
  • Merlijn Huntjens
  • Nina Willems
  • Leonie Cornips

9. FREAKS OF NATURE: USING DEEP REFLEXIVITY TO UNDERSTAND TRANSGENICS

(pp. 180–192)
  • Lisa Jean Moore

10.ETHNOGRAPHY OF WORKING COWHORSES: RHYMING SENSORY METHODS

(pp. 194–201)
  • Andrea Petitt

AFTER WORDS: TOWARD A NEW KIND OF FIELD GUIDE

(pp. 202–207)
  • Karin Bolender
Locations
Landing PageFull text URLPlatform
Paperbackhttps://www.whpress.co.uk/publications/2025/03/04/meam-2/Landing pagePublisher Website
PDFhttps://www.whpress.co.uk/publications/2025/03/04/meam-2/Landing pagehttps://books.whpress.co.uk/10.63308/63878687083054.book.pdfFull text URLTHOTH
https://archive.org/details/4cc9e4e8-9bcd-4b55-9acf-2a42b65b1816Landing pagehttps://archive.org/download/4cc9e4e8-9bcd-4b55-9acf-2a42b65b1816/4cc9e4e8-9bcd-4b55-9acf-2a42b65b1816.pdfFull text URLINTERNET ARCHIVE
https://www.whpress.co.uk/publications/2025/03/04/meam-2/Landing pagehttps://www.whpress.co.uk/publications/2025/03/04/meam-2/Full text URLPublisher Website
Contributors

Andrea Petitt

(editor)
Researcher at Laboratoire d’Anthropologie Sociale et Culturelle (LASC) at University of Liège
Uppsala University
https://orcid.org/0000-0003-3811-0531

Andrea Petitt is currently working as a researcher at Laboratoire d’Anthropologie Sociale et Culturelle (LASC) at Université de Liège, Belgium, and is affiliated with the Centre for Gender Research at Uppsala University, Sweden. Andrea has worked on long-term multispecies ethnography research projects based on fieldwork in Botswana, Sweden and Colorado, with shorter stints in Nepal, Canada, Ethiopia and Tanzania. Increasingly, Andrea has worked with, and developed, artistic and ‘artful’ research methods for data collection, analysis and dissemination and has given a number of workshops on the subject for Ph.D. students and Faculty across Sweden and internationally. In 2022 Andrea instigated and co-founded together with Véronique Servais, Anke Tonnaer and Catrien Notermans the international MEAM network for Multispecies Ethnography and Artistic Methods. She led and co-organised with the same team an online MEAM workshop in 2022 as well as the hybrid inaugural MEAM conference in July Liège 2023.

Anke Tonnaer

(editor)
Anthropologist and assistant professor in the Department of Anthropology and Development Studies at Radboud University
https://orcid.org/0000-0003-0804-369X

Anke Tonnaer is an anthropologist and assistant professor in the Department of Anthropology and Development Studies at Radboud University, Nijmegen (The Netherlands). Her research interests developed from long-term ethnographic fieldwork in Indigenous Australia, studying the intersection of nature and culture in tourism, to rewilding initiatives and the challenges of multispecies cohabitation and conservation practices in north-west Europe, especially the Netherlands. Her desire to narrate the more-than-human world in alternative ways alongside the rational dominant ways in ecology has brought her to exploring art-based methodology and sensory ethnography. In 2023, Anke worked with Catrien Notermans in an Arts-Science collaboration called TASC (The Art of Science) to design a post-anthropocentric future for the city of Nijmegen.

Véronique Servais

(editor)
Professor in Anthropology of Communication at the Faculty of Social Sciences at University of Liège
https://orcid.org/0000-0002-9006-685X

Véronique Servais is Professor in Anthropology of Communication at the Faculty of Social Sciences at the University of Liège, Belgium. She is interested in the profound bio-social relationships that exists between human beings and animals (and other living beings). She conducted research in the field of ‘animal assisted therapies’ and ‘enchanted encounters’ between human beings and animals. She also studied visitor-primates interactions at a zoological park and dolphin-trainers’ affective communication at a Seaquarium. More recently, she has been doing research on the experience of encountering the forest, using microphenomenological interviews. She is co-founder, with Andrea Petitt, Anke Tonnaer and Catrien Notermans, of the MEAM network and co-organiser of the 2022 and 2023 MEAM conferences.

Catrien Notermans

(editor)
Anthropologist and associate professor in the Department of Cultural Anthropology and Development Studies at Radboud University
https://orcid.org/0009-0009-3354-0226

Catrien Notermans is an anthropologist and associate professor in the Department of Cultural Anthropology and Development Studies at Radboud University, Nijmegen (The Netherlands). Her research line is on social relatedness with and beyond the human and focuses on the intersection of kinship, gender and religion in India, West Africa and Europe. Her most recent projects are on interspecies communication in women’s economic and religious activities in Rajasthan (India); and on storying human-river relatedness in the Netherlands. Her projects are based on visual, sensory and arts-based ethnography which are the methodologies she also teaches at the Anthropology Department. In 2022, Notermans co-founded together with Andrea Petitt, Véronique Servais, and Anke Tonnaer the international MEAM network for Multispecies Ethnography and Artistic Methods. In 2023, Notermans worked together with Anke Tonnaer in an Arts-Science collaboration called TASC (The Art of Science) to design a post-anthropocentric future for the city of Nijmegen.

Natasha Fijn

(editor)
Director of the Mongolia Institute at Australian National University
https://orcid.org/0000-0002-2474-3365

Natasha Fijn is Director of the Australian National University’s Mongolia Institute. She has been awarded a mid-career ARC Future Fellowship to conduct research on ‘A Multi-species Anthropological Approach to Influenza’ (2022–2026). Natasha wrote a seminal multispecies ethnography based in Mongolia, Living with Herds: Human-animal Coexistence in Mongolia (2011). She has co-edited five books and several journal volumes, including three special issues oriented toward visual anthropology and ethnographic filmmaking, and three engaging with multispecies and sensory anthropology in the journals Inner Asia (2020), The Australian Journal of Anthropology (2020) and Anthropology Today (2023). She recently (2023) published a co-edited book with Routledge, Nurturing Alternative Futures: Living with Diversity in a More-than-human World.

UK registered social enterprise and Community Interest Company (CIC).

Company registration 14549556

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