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4. The Ogre: “Nobody Seeks to Kill Me!”

Chapter of: The Embassy, the Ambush, and the Ogre: Greco-Roman Influence in Sanskrit Theater(pp. 133–206)

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Metadata
Title4. The Ogre
Subtitle“Nobody Seeks to Kill Me!”
ContributorRoberto Morales-Harley(author)
DOIhttps://doi.org/10.11647/obp.0417.04
Landing pagehttps://www.openbookpublishers.com/books/10.11647/obp.0417/chapters/10.11647/obp.0417.04
Licensehttps://creativecommons.org/licenses/by-nc-nd/4.0/
CopyrightRoberto Morales-Harley
PublisherOpen Book Publishers
Published on2024-08-29
Long abstractIn Chapter 4, Odyssey 9, Euripides’ Cyclops, Mahābhārata 1, and (Ps.-)Bhāsa’s The Middle One allow for a comparison of the ogre motif. With twelve parallelisms (some of which had been previously noted by E. B. West), this comes across as the most compelling argument for influences and borrowings, even Roman ones, since Plautus seems to offer the greatest commonalities.
Page rangepp. 133–206
Print length74 pages
LanguageEnglish (Original)
Contributors

Roberto Morales-Harley

(author)
Associate Professor of Sanskrit and Head of the Department of Classical Philology at Universidad de Costa Rica
https://orcid.org/0000-0002-4752-8588

Roberto Morales-Harley holds a doctorate in Humanities from the University of Malaga, a master’s degrees in Languages of the Ancient World from the University of Murcia and in Classical Literature from the University of Costa Rica, as well as licenciate and bachelor’s degrees in Classical Philology from the University of Costa Rica. He has studied Sanskrit at the Universities of Costa Rica, Murcia, and the Australian National University. He is currently Associate Professor of Sanskrit and Head of the Department of Classical Philology at the University of Costa Rica.