Skip to main content
punctum books

Phillip Stearns: DCP Series

  • Jamie Allen (author)

Export Metadata

  • ONIX 3.1
    Cannot generate record: No publications supplied
  • ONIX 3.0
    • Thoth
      Cannot generate record: No publications supplied
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
      Cannot generate record: Missing PDF URL
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
    • OverDrive
      Cannot generate record: No priced EPUB or PDF URL
  • ONIX 2.1
    • EBSCO Host
      Cannot generate record: No PDF or EPUB URL
    • ProQuest Ebrary
      Cannot generate record: No PDF or EPUB URL
  • CSV
  • JSON
  • OCLC KBART
  • BibTeX
  • CrossRef DOI deposit
    Cannot generate record: This work does not have any ISBNs
  • MARC 21 Record
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 Markup
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 XML
    Cannot generate record: MARC records are not available for chapters
Metadata
TitlePhillip Stearns
SubtitleDCP Series
ContributorJamie Allen (author)
DOIhttps://doi.org/10.21983/P3.0016.1.05
Landing pagehttps://punctumbooks.com/titles/continent-year-1/
Licensehttps://creativecommons.org/licenses/by-nc-sa/3.0/
CopyrightAllen, Jamie
Publisherpunctum books
Published on2012-12-12
Long abstractA collection of Images produced by intentionally corrupting the circuitry of a Kodak DC280 2 MP digitalcamera. By rewiring the electronics of a digital camera, glitched images are produced in a manner that parallels chemically processing unexposed film or photographic paper to pro-duce photographic images without exposure to light. The DCP Series of Digital Images are direct visualizations of data generated by a digital camera as it takes a picture. Electronic processes associated with the normal operations of the camera, which are usually taken for granted, are revealed through an act of intervention. The camera is turned insideout through complexes of shortcircuits, selected by the artist, transforming the camera from a picture taking device to a data capturing device that renders raw data (electronic signals) as images. In essence, these images are snapshots of electronic signals dancing through the camera’s circuits, manually rerouted, written directly to the onboard memory device. Rath-er than seeing images of the world through a lens, we catch a glimpse of what the camera sees when it is forced to peer inside its own mind.
Page rangepp. 50–57
Print length8 pages
LanguageEnglish (Original)