Skip to main content
punctum books

Anonymity: Obsolescence and Desire

  • Aram Bartholl (author)
Chapter of: Book of Anonymity(pp. 275–285)

Export Metadata

  • ONIX 3.0
    • Thoth
      Cannot generate record: No publications supplied
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
      Cannot generate record: Missing PDF URL
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
    • OverDrive
      Cannot generate record: Missing Long Abstract
  • ONIX 2.1
    • EBSCO Host
      Cannot generate record: No PDF or EPUB URL
    • ProQuest Ebrary
      Cannot generate record: No PDF or EPUB URL
  • CSV
  • JSON
  • OCLC KBART
  • BibTeX
  • CrossRef DOI deposit
    Cannot generate record: This work does not have any ISBNs
  • MARC 21 Record
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 Markup
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 XML
    Cannot generate record: MARC records are not available for chapters
Metadata
TitleAnonymity
SubtitleObsolescence and Desire
ContributorAram Bartholl (author)
DOIhttps://doi.org/10.53288/0315.1.16
Landing pagehttps://punctumbooks.com/titles/book-of-anonymity/
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
CopyrightAram Bartholl
Publisherpunctum books
Published on2021-03-04
Page rangepp. 275–285
Print length11 pages
LanguageEnglish (Original)
Contributors

Aram Bartholl

(author)

Aram Bartholl uses sculptural interventions, installations, and performative workshops to question our engagement with media and with public economies linked to social net- works, online platforms, and digital dissemination strategies. He addresses socially relevant topics, including surveillance, data privacy and technology dependence, through his work by transferring the gaps, contradictions, and absurdities of our everyday digital lives to physical settings. The effect is twofold. The works create an at-times bizarre confrontation with our own ignorance of globally active platform capitalism, and they renegotiate network activities as political forms of participation on an analog level using the potential of public space.