| Title | Mariah |
|---|---|
| Subtitle | Acts Of Resistance, Legally “Trespassing” in The Metaverse |
| Contributor | Adam DelMarcelle (author) |
| Heather Snyder Quinn (author) | |
| Landing page | https://adocs.de/en/buecher/design-theorie-praxis-open-accessebooks/attending-futures-matters-politics-design-education-research-practice |
| License | https://creativecommons.org/licenses/by-sa/4.0/ |
| Copyright | Adam DelMarcelle, Heather Snyder Quinn |
| Publisher | adocs publishing |
| Published on | 2023-10-01 |
| Page range | pp. 209–214 |
| Print length | 6 pages |
| Language | English (Original) |
| Media | 4 illustrations |
| Funding |
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Adam DelMarcelle’s prints and social art actions have been made in Pennsylvania, on the frontlines of the exploding overdose epidemic and have functioned to educate and mobilize community response through compelling his viewers to ask better questions of themselves by considering the part of the problem they are responsible for. After losing a brother to an overdose, DelMarcelle has committed his life to the betterment of his community through his work as an educator and artist. He travels widely activating communities through outreach, activism, and educating anyone who will listen to the power art possesses to disrupt, resist, and document our human existence. DelMarcelle’s work has been extensively written about and exhibited and is included in several collections across the United States including the Library of Congress, The Cushing Whitney Medical Library at Yale University, Syracuse University, Letterform Archive and many more.
Heather Snyder Quinn (she/her) is usually where she “isn’t supposed to be.” You will find her playing in unexpected places, physical or virtual, and collaborating with people from an array of backgrounds. Her work uses design fiction to empower communities to imagine possible futures and understand technology’s impact on human freedoms. The World Economic Forum, MIT Press, Yale Law School, The Washington Post, Hyperallergic, and NASA have recognized her work. Currently, she is editing Technologies of Deception, a publication bringing together art, design, technology, ethics, futurism, and policymaking. Heather is an Assistant Professor of Design Futures at Washington University and a mother of two daughters.