Skip to main content
punctum books

Foreword

  • Jordan Amirkhani (author)

Export Metadata

  • ONIX 3.1
    Cannot generate record: No publications supplied
  • ONIX 3.0
    • Thoth
      Cannot generate record: No publications supplied
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
      Cannot generate record: Missing PDF URL
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
    • OverDrive
      Cannot generate record: Missing Long Abstract
  • ONIX 2.1
    • EBSCO Host
      Cannot generate record: No PDF or EPUB URL
    • ProQuest Ebrary
      Cannot generate record: No PDF or EPUB URL
  • CSV
  • JSON
  • OCLC KBART
  • BibTeX
  • CrossRef DOI deposit
    Cannot generate record: This work does not have any ISBNs
  • MARC 21 Record
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 Markup
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 XML
    Cannot generate record: MARC records are not available for chapters
Metadata
TitleForeword
ContributorJordan Amirkhani (author)
DOIhttps://doi.org/10.53288/0367.1.02
Landing pagehttps://punctumbooks.com/titles/out-of-place-artists-pedagogy-and-purpose/
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
CopyrightJordan Amirkhani
Publisherpunctum books
Published on2021-10-28
Page rangepp. 15–18
Print length4 pages
LanguageEnglish (Original)
Contributors

Jordan Amirkhani

(author)

Dr. Jordan Amirkhani is an art historian, curator, and critic currently based in Washington, DC, where she is a Professorial Lecturer in Art History at American University. She has published scholarship on the Franco-Cuban painter and polemicist Francis Picabia, Mequitta Ahuja, Crow artist Wendy Red Star, and the Nashville-based photographer Vesna Pavlović. Recent curatorial projects include Identity Measures, an exhibition of twenty-three southeastern artists for the Contemporary Art Center of New Orleans and the 2021 Atlanta Biennial, Of Care and Destruction, which featured thirty-four artists working and making across the southeast United States. Jordan’s art criticism and writing has appeared in Artforum, Art Practical, Baltimore Arts, X-Tra, MOMUS, and Burnaway. Her emphasis on contextualizing contemporary art and artists working in the American Southeast garnered her a prestigious Creative Capital/Andy Warhol Foundation “Short-Form” Writing Grant in 2017 and three nominations for The Rabkin Prize in Arts Journalism in 2017, 2018, and 2019.