punctum books
Joseph Nechvatal's nOise anusmOs Installation
- Yuting Zou (author)
Chapter of: Speculations 3(pp. 507–510)
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| Title | Joseph Nechvatal's nOise anusmOs Installation |
|---|---|
| Contributor | Yuting Zou (author) |
| DOI | https://doi.org/10.21983/P3.0010.1.19 |
| Landing page | https://punctumbooks.com/titles/speculations-iii/ |
| License | https://creativecommons.org/licenses/by-nc-sa/3.0/ |
| Copyright | Zou, Yuting |
| Publisher | punctum books |
| Published on | 2012-09-03 |
| Long abstract | Black is the “color” of undivided nothingness and simplicity that has yet been penetrated by light. Black is immanent to itself. Entering the Galerie Richard, black was arguably my instant impression of Joseph Nechvatal’s nOise anusmOs installation, for most of this new series of paintings are unified by a black background. Against the black backdrop are complicated webs of alternating red and white, they suggest many ambiguous and provocative images of corporeal surfaces. Here, sfumato plays a role in slightly reducing the contrast of colors by adding a smoky and subtle layer to the otherwise pixelated images. The entire room is filled with immersive noise, from the visual noise (digital virus) inside the pictorial frame to its audial extension into the ambient space through the “viral symphony.” Bathed in a continuity of noise, it appeared to me that the overall composition of this body of work was more sparse and plural than before, and more speculative. |
| Page range | pp. 507–510 |
| Print length | 4 pages |
| Language | English (Original) |