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Post Memes: Seizing the Memes of Production
- Alfie Bown (editor)
- Dan Bristow (editor)
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| Title | Post Memes |
|---|---|
| Subtitle | Seizing the Memes of Production |
| Contributor | Alfie Bown (editor) |
| Dan Bristow (editor) | |
| DOI | https://doi.org/10.21983/P3.0255.1.00 |
| Landing page | https://punctumbooks.com/titles/post-memes-seizing-the-memes-of-production/ |
| License | https://creativecommons.org/licenses/by-nc-sa/4.0/ |
| Copyright | Bown, Alfie; Bristow, Dan |
| Publisher | punctum books |
| Publication place | Earth, Milky Way |
| Published on | 2019-11-25 |
| ISBN | 978-1-950192-43-4 (Paperback) |
| 978-1-950192-44-1 (PDF) | |
| Long abstract | Art-form, send-up, farce, ironic disarticulation, pastiche, propaganda, trololololol, mode of critique, mode of production, means of politicisation, even of subjectivation -- memes are the inner currency of the internet’s circulatory system. Independent of any one set value, memes are famously the mode of conveyance for the alt-right, the irony left, and the apoliticos alike, and they are impervious to many economic valuations: the attempts made in co-opting their discourse in advertising and big business have made little headway, and have usually been derailed by retaliative meming. Post-Memes: Seizing the Memes of Production takes advantage of the meme’s subversive adaptability and ripeness for a focused, in-depth study. Pulling together the interrogative forces of a raft of thinkers at the forefront of tech theory and media dissection, this collection of essays paves a way to articulating the semiotic fabric of the early 21st century’s most prevalent means of content posting, and aims at the very seizing of the memes of production for the imagining and creation of new political horizons.With contributions from Scott and McKenzie Wark, Patricia Reed, Jay Owens, Thomas Hobson and Kaajal Modi, Dominic Pettman, Bogna M. Konior, and Eric Wilson, among others, this essay volume offers the freshest approaches available in the field of memes studies and inaugurates a new kind of writing about the newest manifestations of the written online. The book aims to become the go-to resource for all students and scholars of memes, and will be of the utmost interest to anyone interested in the internet’s most viral phenomenon. |
| Print length | 423 pages |
| Language | English (Original) |
| Dimensions | 127 x 203 mm | 5" x 8" (Paperback) |
| LCCN | 2019947997 |
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Contents
Frontmatter
(pp. 1–15)- Dan Bristow
- Alfie Bown
Introproduction
(pp. 17–24)- Dan Bristow
- Dominic Pettman
The Meme is Dead, Long Live the Meme
(pp. 31–44)- Roy Christopher
- Bogna M. Konior
- Jay Owens
The Work of Art(iculation) in the Age of Memic Rhythmicality: Memes between Form, Content, and Structure
(pp. 115–136)- Dan Bristow
An Emoji for René Girard: Memes, Memesis, and the Apocalypse of the Eternally Irrelevant
(pp. 137–168)- Eric Wilson
Chaotic, Good
(pp. 169–182)- Roisin Kiberd
- Tom Whyman
- Angus Reoch
- Yvette Granata
Meso-Memetics, Service Fetishism, and Deep Mediation
(pp. 277–291)- Patricia Reed
Circulation and its Discontents
(pp. 293–318)- Scott Wark
- McKenzie Wark
- C_YS
- Thomas Hobson
- Kaajal Modi
Memesis and Psychoanalysis: Mediatizing Donald Trump
(pp. 353–366)- Ian Parker
- Giacomo Bianchino
- Gabriele de Seta
The Post-Pepe Manifesto
(pp. 403–405)- Seong-Young Her
Afterword: Post_Meme
(pp. 407–413)- Alfie Bown
- Francis Russell
Contributors
(pp. 415–420)- Alfie Bown
- Dan Bristow
Contributors