Skip to main content
punctum books

Construction vs. Deconstruction: Different “Chineseness” in Chinese Diaspora Artists’ Works

  • Zhang Rui (author)

Export Metadata

  • ONIX 3.0
    • Thoth
      Cannot generate record: No publications supplied
    • Project MUSE
      Cannot generate record: No BIC or BISAC subject code
    • OAPEN
      Cannot generate record: Missing PDF URL
    • JSTOR
      Cannot generate record: No BISAC subject code
    • Google Books
      Cannot generate record: No BIC, BISAC or LCC subject code
    • OverDrive
      Cannot generate record: Missing Long Abstract
  • ONIX 2.1
    • EBSCO Host
      Cannot generate record: No PDF or EPUB URL
    • ProQuest Ebrary
      Cannot generate record: No PDF or EPUB URL
  • CSV
  • JSON
  • OCLC KBART
  • BibTeX
  • CrossRef DOI deposit
    Cannot generate record: This work does not have any ISBNs
  • MARC 21 Record
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 Markup
    Cannot generate record: MARC records are not available for chapters
  • MARC 21 XML
    Cannot generate record: MARC records are not available for chapters
Metadata
TitleConstruction vs. Deconstruction
SubtitleDifferent “Chineseness” in Chinese Diaspora Artists’ Works
ContributorZhang Rui (author)
DOIhttps://doi.org/10.53288/0269.1.41
Landing pagehttps://punctumbooks.com/titles/complementary-modernisms-in-china-and-the-united-states-art-as-life-art-as-idea/
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
CopyrightZhang Rui
Publisherpunctum books
Published on2020-09-10
Page rangepp. 542–552
Print length11 pages
LanguageChinese (Translated_from)
English (Translated_into)
Contributors

Zhang Rui

(author)

Zhang Rui is Associate Professor in the Academy of Art and Design at Tsinghua University, Beijing, Academic Principal of a cooperation project with Sotheby’s Institute of Art, the Academy of Art and Design and the School of Economics and Management at Tsinghua University. Her research interests are the contemporary art market and art management.