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佩吉的“战争之子”: “本世纪艺术展”上的波洛克、 马瑟韦尔和巴齐奥特

  • 艾伦·G·兰道 (author)
Chapter of: Complementary Modernisms in China and the United States: Art as Life/Art as Idea(pp. 346–364)

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Metadata
Title佩吉的“战争之子”
Subtitle“本世纪艺术展”上的波洛克、 马瑟韦尔和巴齐奥特
Contributor艾伦·G·兰道 (author)
DOIhttps://doi.org/10.53288/0269.1.25
Landing pagehttps://punctumbooks.com/titles/complementary-modernisms-in-china-and-the-united-states-art-as-life-art-as-idea/
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
CopyrightEllen G. Landau
Publisherpunctum books
Published on2020-09-10
Page rangepp. 346–364
Print length19 pages
LanguageChinese (Translated_into)
English (Translated_from)
Contributors

艾伦·G·兰道

(author)

Ellen G. Landau, Andrew W. Mellon Professor Emerita in the Humanities at Case Western Reserve University, is the author of Jackson Pollock (1989), Lee Krasner: A Catalogue Raisonne (1995), Abstract Expressionism: Context and Critique (2005), and Mexico and American Modernism (2013). Select recent projects include catalogue essays on Krasner, Hans Hofmann, and Michael West, as well as articles on Pollock’s Mural for Peggy Guggenheim and Robert Motherwell’s relationship to Surrealism.