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Mattering Press

Fallacy of the Work, Truth of the Performance: What Makes Music Baroque: Historical Authenticity or Ontological Plurality?

Chapter of: Modes of Knowing: Resources from the Baroque(pp. 84–114)

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Metadata
TitleFallacy of the Work, Truth of the Performance
SubtitleWhat Makes Music Baroque: Historical Authenticity or Ontological Plurality?
ContributorAntoine Hennion(author)
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
CopyrightAntoine Hennion
PublisherMattering Press
Published on2016-07-25
Page rangepp. 84–114
LanguageEnglish (Original)
Media10 illustrations
Contributors

Antoine Hennion

(author)
Professor at Mines ParisTech
https://orcid.org/0000-0002-9602-3746

Antoine Hennion is Professor at MINES ParisTech and the former Director of the Centre for the Sociology of Innovation, where he has developed a problematisation of mediation crossing cultural sociology and Science and Technology Studies (STS). He has written extensively on the sociology of music, media and cultural industries, and is now exploring a pragmatist approach to various forms of attachment – from taste and ‘amateurs’, to home care and issues about vulnerability, ageing, and disability. Recent books include The Passion for Music (2015), Le vin et l’environnement (with G. Teil 2011), and La grandeur de Bach (with J.-M. Fauquet 2000).