punctum books
Interview with Michael Marder
- Prudence Gibson(author)
Chapter of: Covert Plants: Vegetal Consciousness and Agency in an Anthropocentric World(pp. 25–34)
Export Metadata
- ONIX 3.1Cannot generate record: No publications supplied
- ONIX 3.0
- ThothCannot generate record: No publications supplied
- Project MUSECannot generate record: No BIC or BISAC subject code
- OAPENCannot generate record: Missing PDF URL
- JSTORCannot generate record: No BISAC subject code
- Google BooksCannot generate record: No BIC, BISAC or LCC subject code
- OverDriveCannot generate record: No priced EPUB or PDF URL
- Thoth
- ONIX 2.1
- EBSCO HostCannot generate record: No PDF or EPUB URL
- ProQuest EbraryCannot generate record: No PDF or EPUB URL
- EBSCO Host
- CSV
- JSON
- OCLC KBART
- BibTeX
- CrossRef DOI depositCannot generate record: This work does not have any ISBNs
- MARC 21 RecordCannot generate record: MARC records are not available for chapters
- MARC 21 MarkupCannot generate record: MARC records are not available for chapters
- MARC 21 XMLCannot generate record: MARC records are not available for chapters
| Title | Interview with Michael Marder |
|---|---|
| Contributor | Prudence Gibson(author) |
| DOI | https://doi.org/10.21983/P3.0207.1.03 |
| Landing page | https://punctumbooks.com/titles/covert-plants/ |
| License | https://creativecommons.org/licenses/by-nc-sa/4.0/ |
| Copyright | Gibson, Prudence |
| Publisher | punctum books |
| Published on | 2018-09-11 |
| Long abstract | PG: There are plant artists around the world who are using the eco-transmissions of roots or leaves to create sound artworks. Other plant artists unground natural species from the earth and bring them into the gallery space or create experiences that dis-rupt or intervene with an ecological state. These bodies of work develop from the history of botanical illustration, gardening, bonsai care, and other art-aesthetic preoccupations, even land art. However, contemporary plant art consistently highlights eco-ethics, those moral questions of how to relate to plants. New information in plant science informs our understanding of sta-tus and ethics, as you expound in your books. These ideas are being taken up by artists and presented as a means of advocacy as well as a continued creative representation. Can you respond to this new realm of representation, as both a conceptual artistic interpretation but also as a way of ‘speaking for’ plants? |
| Page range | pp. 25–34 |
| Print length | 10 pages |
| Language | English (Original) |
Contributors