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The Kiln

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Metadata
TitleThe Kiln
ContributorKim Förster(author)
DOIhttps://doi.org/10.53288/0404.1.20
Landing pagehttps://punctumbooks.com/titles/solarities-elemental-encounters-and-refractions/
Licensehttps://creativecommons.org/licenses/by-nc-sa/4.0/
CopyrightKim Förster
Publisherpunctum books
Published on2023-11-22
Long abstractThis chapter, in dialogue with the energy humanities task of thinking transition, attempts to undo cement by assessing material transformation in the cement kiln. Portland cement, a bulk commodity that has been a critical building material in the concrete mix throughout the 20th century (along to gravel, sand and water, all of which are now recognized scarce), is seen as problematic, even destructive, in times of climate emergency because the production process in industrial cement plants itself contributes significantly to global carbon emissions. As key sites of Anthropocene metabolism, the global web of kilns become object and narrative device of architectural and environmental histories, and indeed the humanities to address and expose modern tropes of growth and progress. From an elemental perspective the kiln burns not only fossil fuels, and today so-called alternative fuels; the chemical process itself, as known through patent history, relies on the fact that half of the carbon dioxide is released during the calcination process. Since the emissions come from the raw meal itself, it is argued, any solar project, social, ecological, and economic, as well as cultural would have to rethink the kiln, since innovation in admixtures and fuels only prolong the existing cement regime.
Page rangepp. 231–260
Print length30 pages
LanguageEnglish (Original)
Keywords
  • cement kiln
  • architectural modernism
  • material history
  • calcination process
  • resource transition
Contributors

Kim Förster

(author)

Kim Förster is an architectural historian, teaching and researching at the University of Manchester as a member of MARG (Manchester Architecture Research Group). Having earned his doctorate in architecture at ETH Zurich in 2011, he was Associate Director of Research at the Canadian Centre for Architecture from 2016 to 2018, where he led the multidisciplinary research project “Architecture and/for the Environment” as part of the Andrew W. Mellon Foundation’s “Architecture, Urbanism, and the Humanities Initiative.” He taught at ETH’s Institute gta, in the Doctoral Program for the History and Theory of Architecture, and as a visiting professor at EPFL Lausanne. His research and teaching focus on an environmental, energy, and material history, particularly a global history of cement. Förster has published on environmental topics in Architectural Histories, Candide, Werk, Bauen + Wohnen; he contributed to the Routledge Companion to Architecture and Social Engagement (2018), to Überbau: Produktionsverhältnisse der Architektur im Anthropozän (Universitätsverlag TU Berlin, 2021), and to Beyond Concrete (Triest Verlag, 2022). A member of common room, in 2022 300 solarities co-curated “Disquietude: Architecture and Energy in Portugal” and co-edited a book with the same title. Förster edited the “Environmental Histories of Architecture” series for the CCA(Library Stack, 2022–23).